Instruments of the Middle Ages and Renaissance

Saltarello

Shepherd’s tune

(a) Saltarello (b) Ballade “Dame, se vous m’estés”

Pastourelle “Au tans d’aost”

A prisai qu’en chantant plour

Ach owê, daz nâch liebe ergât

Dou tres douz non

Virelai “Gracïeuse”

Dansa “Ben volgra, s’esser poges”

English Te Deum

Chansonnette “Quan je voi iver retorner”

Madrigal “Ay, sconsolato ed amoroso”

Estampie

Chanson “Joliveté et bone amor”

Ellend du hast

(a) Fanfare “Untarn slaf tut den sumer wol” (b) Fanfare “Ad modum tubae”

(a) Ballade “De moi doloureus” (b) Das Nachthorn (c) Geisslerlied “Maria muoter reinû maît” (d) Der Trumpet

(a) Lai “Qui porroit un guierredon” (b) Dance tune

Goliard melody “O Roma nobilis”

Hymn to St Magnus “Nobilis humilis”

Madrigal “Tanto soavemente”

Madrigal “Di novo è giunto”

Chanson “Amours que porra”

Aquel que de voontade

Virelai “Quant je sui mis”

English dance

La septime estampie real

Ballata “Poi che da te mi convien”

Virelai “Comment qu’a moy”

Improvised fanfare Motet “Quant ie le voi — Bon vin doit — Cis chans veult boire”

Two courantes

Chanson “Ce qui souloit”

Caro ortolano

Padouana

Bicinium “Le cuer de vous”

Bicinium “Mon petit cuer”

Three Bransles Doubles

Chanson “Amor me poingt”

Chanson “Hellas! Amour”

The Fairie Round

Entrada réal

(a) Prelude “Ascensus simplex” (b) “Min Hertz hat sich ser gefröwet”

Toccata from the Naples MS

Variations on the Romanesca

Ballo Francese

(a) Unmuted Toccata from Orfeo, 1607 (b) Muted Toccata from Orfeo, 1607

(a) Solo: Adagio and Allegro (b) Consort “Lobt Gott ihr Christen alle gleich”

Canzona for “due canti”

Bicinium “Amour cruel”

Canzona Quarta for “basso solo”

Orlando sleepeth

A Fancy — Praelude, or Voluntary

Ballo Anglese

Galliarde for cittern and bass

Toccata prima

Galliard

Duet “Le Rossignol”

Fantasia XI from El maestro, 1536

Pavana (Variations on the Romanesca)

(a) Consort: Fantasy in four parts (b) Lyra viol: Duet “Forget me not”

La volta