The Nonesuch Guide To Electronic Music

1. A1

   I. Peace Three

   3:08

A. Sine Waveform

1. A2a

   1. Slow-Motion Audible Example

   0:05
2. A2b

   2. Composition

   0:50
3. A2c

   3. Harmonic Synthesis

   0:33
4. A2d

   4. Non-Harmonic Synthesis

   0:37

1. A3a

   1. Slow-Motion (Negative- And Positive-Going)

   0:12
2. A3b

   2. Composition

   0:34

1. A4a

   1. Slow-Motion Audible Example (1/8-1/2)

   0:28
2. A4b

   2. Composition (Using 1/8, 1/7, 1/3, 1/2)

   0:35

1. A5a

   1. Slow-Motion Audible Example

   0:05
2. A5b

   2. Composition

   0:20

1. A6

   E. White Sound Composition

   0:13

1. A7a

   A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion

   0:08
2. A7b

   B. Sequential Voltage Sources. Composition

   1:55

A. Keyboard Control

1. B1a

   1. 12-Tone

   0:32
2. B1b

   2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves)

   0:40
3. B1c

   3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave)

   0:31
4. B1d

   4. Portamento

   0:23

1. B2

   B. Ribbon Control

   0:30

1. B3a

   1. Vibrato Ⓢ (Speed Increases As Pitch Rises)

   0:28
2. B3b

   2. Sine-Higher Frequency

   0:27
3. B3c

   3. Sawtooth-Swept

   0:38
4. B3d

   4. Rectangular 1/2-Swept L2

   0:32
5. B3e

   5. Triangular-Swept

   0:31

1. B4a

   1. 3 Square Waves At Different Frequencies

   0:28
2. B4b

   2. 3 Triangular Waves At Different Frequencies

   0:37
3. B4c

   4 Different Waveforms 2L 2N 2V 2S At Different Frequencies

   0:46

1. B5

   E. White Sound

   0:12

1. B6a

   1. Up An Octave, Back To Pitch

   0:17
2. B6b

   2. Up A 3rd, Back To Pitch

   0:07
3. B6c

   3. Down An Octave, Back To Pitch

   0:09
4. B6d

   4. Down A 3rd, Back To Pitch

   0:13

1. C1

   A. Keyboard

   0:13
2. C2

   B. Ribbon Controller

   0:10

1. C3a

   1. Tremolo

   0:25
2. C3b

   2. Sine-Higher Frequencies (S Sweeping S)

   0:47
3. C3c

   3. Sawtooth (Negative- And Positive-Going Swept)

   1:20
4. C3d

   4. Rectangular-L2 Swept

   0:28
5. C3e

   5. Triangular-Swept

   0:50

1. C4a

   1. 4 Square

   0:44
2. C4b

   2. 3 Triangular

   0:23
3. C4c

   3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ

   0:23

1. C5

   E. White Sound

   0:38

1. C6a

   1. Slow

   0:08
2. C6b

   2. With Rising Pitch

   0:15
3. C6c

   3. ∧∧∧∧∧

   0:14

A. Sine Waves

1. C7a

   1. Series Of Sub-Audible Constants

   2:00
2. C7b

   2. Tune In Parallel

   0:40
3. C7c

   3. Tuned In Opposite Direction

   0:30

1. C8

   B. Sawtooth

   0:33
2. C9

   C. Rectangular L2

   0:39

1. D1

   A. White Sound - With Fixed Filters Selected 3rd Octave

   0:25

1. D2a

   1. Broad

   0:43
2. D2b

   2. Sharp

   0:25

1. D3

   C. Low-Frequency Sawtooth-Tuning Through Harmonics

   1:05
2. D4

   D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics

   0:50
3. D5

   E. Swept With Ribbon Controller

   0:40

1. D6a

   1. Sine-Timbre Vibrato Effect

   0:25
2. D6b

   2. Sine-Variable Rate And Depth

   0:36
3. D6c

   3. Sawtooth (Descending And Ascending)

   0:50
4. D6d

   4. Rectangular

   --:--

1. D7a

   1. -----------------

   0:12
2. D7b

   2. -----------------

   0:10
3. D7c

   3. ------------------

   0:09
4. D7d

   4. ------------------

   0:08

1. D8

   A. Single Repeat

   0:13
2. D9

   B. Multiple Repeat

   2:55

1. D10

   IX. Peace Three (Recap)

   3:08