Baltimore

CTI Records

calendar_today1978Estados Unidos

“Runouts stamped.”

CTI Records

calendar_today1978França

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_today1978Estados Unidos

“Original issue in gatefold cover. The the stamped "Union Jack" symbol in the deadwax indicates a pressing by Keel Mfg. Masterdisk stamp initialed by Dave Crawford (mastering engineer). Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor Very similar to [r8590328] but with a Matrix / Runout variation.”

CTI Records

calendar_today1978Canadá

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_today1978Austrália

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." Creed Taylor Track B1, "Music For Lovers", was composed by Bart Howard ("Fly Me To The Moon"). It is wrongly attributed to "Nalder-Guthrie" on the label.”

CTI Records

calendar_today1978Estados Unidos

“From the CTI LP <a href="http://www.discogs.com/release/1192865">Baltimore</a> - CTI 7084. ℗ 1978 Creed Taylor, Inc.”

CTI Records

calendar_today1978Estados Unidos

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_today1978França

“"Ⓟ Ⓒ 1978, CREED TAYLOR, INC" on back cover "Ⓟ 1978, Creed Taylor, Inc" on label Reissue not before 1979 due to price code.”

CTI Records

calendar_today1978Reino Unido

“"Limited Edition Special Price" gold stamp on front cover. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter.”

CTI Records

calendar_today1978Países Baixos

“Gatefold sleeve. Netherlands press: STEMRA mentioned on the Face 2 label Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_today1978Estados Unidos

“Similar to CRC version [r13899924] but in a non-CRC sleeve”

CTI Records

calendar_today1978Japão

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve with obi and Japanese/English lyric/credit insert. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_today1978Estados Unidos

“similar to https://www.discogs.com/Nina-Simone-Baltimore/release/2130849 but label has black print for the "Unauthorized" spiel at bottom”

CTI Records

calendar_today1978Estados Unidos

“Original issue in gatefold cover. The the stamped "Union Jack" symbol in the deadwax indicates a pressing by Keel Mfg. Masterdisk stamp initialed by Dave Crawford (mastering engineer). Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_today1978Europa

“Gatefold sleeve. Only 'Biem' stated as rights society on labels. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_today1978Alemanha

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor © ℗ 1978, Creed Taylor, Inc. Im Vertrieb der Metronome Musik GmbH, Überseering 21, 2000 Hamburg 60, Made in W.-Germany”

CTI Records

calendar_today1978Estados Unidos

“Original issue in gatefold cover. The "T" and "CTH" in the deadwax indicates a pressing by Columbia Terre Haute Masterdisk is stamped, runouts etched. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Inside Cover Quote: "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_today1978Estados Unidos

“CRC Club Edtion - CRC printed in black on lower right hand corner of cover above "Warning"”

CTI Records

calendar_today1978Reino Unido

“This release has the catalogue number CTI DELUXE 7084 on top right of rear sleeve and spine. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter.”

CTI Records

calendar_today1978Itália

“[On labels:] Made in Italy By CBS Sugar S.p.A. ℗ 1978 Creed Taylor, Inc.”

CTI Records

calendar_today1978França

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_today1978Canadá

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_todayago. de 1978Reino Unido

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_today25 de ago. de 1978Reino Unido

“Baltimore is a shorter version than on the LP. From the CTI LP [r1192865] CTI 7084. ℗ 1978 Creed Taylor, Inc Made in England”

Epic / Legacy

calendar_today1978Austrália

“Mixed using the Aphex Aural Exciter at Electric Lady studios, New York, New York. Digitally mastered at Sony Music Studios, New York, New York. Part of the Columbia Jazz Contemporary Masters series, originally released in 1978.”

Epic Associated / Legacy

calendar_today1978Estados Unidos

“Mixed using the Aphex Aural Exciter at Electric Lady studios, New York, New York. Digitally mastered at Sony Music Studios, New York, New York. Part of the [l284230] series, originally released in 1978. 8-page booklet with separate liner notes by [a97480] and [a582796], tracklist, credits and catalogue of the Jazz Contemporary Masters series. Standard CD Jewel case with black tray.”

Epic Associated / Legacy

calendar_today1978Estados Unidos

“© 1995 Sony Music Entertainment Inc./℗ 1978 Sony Music Entertainment Inc. Disc(s) made in Germany, Packaged in USA. Issued in a standard jewel case with a black tray and an 8-page insert booklet. Matrix data suggests a 2018 created glass master.”

Epic Associated / Legacy

calendar_today1978Estados Unidos

“'Digitally remastered from the original analog masters'. Mixed using the Aphex Aural Exciter at Electric Lady studios, New York, New York. Digitally mastered at Sony Music Studios, New York, New York. Part of the [l284230] series, originally released in 1978. 8-page booklet with separate liner notes by [a97480] and [a582796], tracklist, credits and catalogue of the Jazz Contemporary Masters series. Standard CD Jewel case with black tray.”

Legacy / Epic Associated

calendar_today1978Estados Unidos

“Made in Mexico”

CTI Records

calendar_today16 de dez. de 1994Japão

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

Epic Associated / Legacy

calendar_today1995Canadá

“'Digitally remastered from the original analog masters'.”

Legacy

calendar_today1995Europa

“℗ 1978 Sony Music Entertainment, Inc. © 1995 Sony Muisic Entertainment, Inc. Made in Austria Part of the Colombia Jazz Contemporary Masters series, originally released in 1978.”

Epic / Legacy

calendar_today1995Europa

“℗ 1978 Sony Music Entertainment, Inc. © 1995 Sony Muisic Entertainment, Inc. Made in Austria”

Epic Associated / Legacy

calendar_today1995Canadá

“© 1995 Sony Music Entertainment, Inc. / ℗ 1978 Sony Music Entertainment Inc. Made in Canada.”

CTI Records

calendar_today21 de jun. de 1997Japão

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_today22 de ago. de 2001Japão

“24bit RE-MASTERING BEST Selection”

Epic / Legacy / CTI Records

calendar_today2003Europa

“Originally album: "[r=1192865]" CTI 7084 released 3/15/78. Standard jewel case with 8 page insert booklet. Recorded at Studio Katy, Brussels on January 17, 18 & 21, 1978 Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey. Mixed using the Aphex Aural Exciter at Electric Lady studios, New York, New York. Remasterd using <i>Super Bit Mapping</i>. Digitally mastered at Sony Music Studios, New York, New York. Nicky Marreno, courtesy of [l=Fania Records]. Eric Gale, courtesy of [l=Columbia]. Special thanks: Jeff Jonas; Tim Fraser-Harding, Seth Rothstein; Betsy Krouner; Bryan McKenna; Peter Cho; Sony Music Studios; Douglas Payne; Arnaldo DeSouteiro. Total playing time: 37:06. Track 1: Recorded 1/17/78. Publ.: Six Pictures Music (ASCAP). Track 2: Recorded 1/21/78. Publ.: Almo Music Copr. (ASCAP). Track 3: Recorded 1/17/78. Publ.: Sony Tree Publ. Co., Inc. (BMI). Track 4: Recorded 1/18/78. Publ.: Rocky Mountain National Park Music, Inc. (ASCAP). Track 5: Recorded 1/21/78. Publ.: Unknown. Track 6: Recorded 1/21/78. Publ.: Unichappell Music, Inc./Hot-Cha Music Co. (BMI). Track 7: Recorded 1/21/78. Publ.: Weiss & Barry, Inc. (BMI). Track 8: Recorded 1/18/78. Publ.: Char-Liz Music, Inc. (BMI). Track 9: Recorded 1/18/78. Publ.: Char-Liz Music, Inc. (BMI). Track 10: Recorded 1/18/78. Publ.: Char-Liz Music, Inc. (BMI). © 2001 Sony Music Entertainment Inc./ ℗ 2001 Sony Music Entertainment Inc. © 2003 Sony Music Entertainment Inc./ ℗ 2003 Sony Music Entertainment Inc. Distribution Sony Music. Made in Austria.”

CTI Records

calendar_today4 de out. de 2006Japão

CTI Records

calendar_today26 de nov. de 2009Japão

CTI Records

calendar_today11 de dez. de 2013Japão

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor Includes fold-out insert with original gatefold spread and lyrics in English.”

CTI Records

calendar_today15 de nov. de 2017Japão

CTI Records

calendar_today2021Japão

“℗ 1978 King Record Co. Ltd. © 2021 Kings Record Co. Ltd. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”

CTI Records

calendar_today1978Estados Unidos

“Recorded at Studio Katy, Brussels in January 1978.”

CTI Records

calendar_today1978Austrália

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records.”

Suzy

calendar_today1988Iugoslávia

“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter.”

Epic

calendar_today1988Reino Unido

“Recorded in January, 1978”