language他のサービスでも入手可能...
アフィリエイトプログラムの参加者として、対象購入から収益を得ています。
入手可能なリリース
63リリースレコード(41)
Baltimore
chevron_rightCTI Records
アメリカ合衆国“Runouts stamped.”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
フランス“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
アメリカ合衆国“Original issue in gatefold cover. The the stamped "Union Jack" symbol in the deadwax indicates a pressing by Keel Mfg. Masterdisk stamp initialed by Dave Crawford (mastering engineer). Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor Very similar to [r8590328] but with a Matrix / Runout variation.”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
カナダ“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
オーストラリア“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." Creed Taylor Track B1, "Music For Lovers", was composed by Bart Howard ("Fly Me To The Moon"). It is wrongly attributed to "Nalder-Guthrie" on the label.”
Cat#: 6489 036
Baltimore
chevron_rightCTI Records
アメリカ合衆国“From the CTI LP <a href="http://www.discogs.com/release/1192865">Baltimore</a> - CTI 7084. ℗ 1978 Creed Taylor, Inc.”
Cat#: OJ-44
Baltimore
chevron_rightCTI Records
アメリカ合衆国“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
フランス“"Ⓟ Ⓒ 1978, CREED TAYLOR, INC" on back cover "Ⓟ 1978, Creed Taylor, Inc" on label Reissue not before 1979 due to price code.”
Cat#: CTI 9010
Baltimore
chevron_rightCTI Records
イギリス“"Limited Edition Special Price" gold stamp on front cover. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter.”
Cat#: CTI DELUXE 7084 · CTI 7084
Baltimore
chevron_rightCTI Records
オランダ“Gatefold sleeve. Netherlands press: STEMRA mentioned on the Face 2 label Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
アメリカ合衆国“Similar to CRC version [r13899924] but in a non-CRC sleeve”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
日本“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve with obi and Japanese/English lyric/credit insert. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: GP 3161
Baltimore
chevron_rightCTI Records
アメリカ合衆国“similar to https://www.discogs.com/Nina-Simone-Baltimore/release/2130849 but label has black print for the "Unauthorized" spiel at bottom”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
アメリカ合衆国“Original issue in gatefold cover. The the stamped "Union Jack" symbol in the deadwax indicates a pressing by Keel Mfg. Masterdisk stamp initialed by Dave Crawford (mastering engineer). Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
ヨーロッパ“Gatefold sleeve. Only 'Biem' stated as rights society on labels. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
ドイツ“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor © ℗ 1978, Creed Taylor, Inc. Im Vertrieb der Metronome Musik GmbH, Überseering 21, 2000 Hamburg 60, Made in W.-Germany”
Cat#: 0063.041
Baltimore
chevron_rightCTI Records
アメリカ合衆国“Original issue in gatefold cover. The "T" and "CTH" in the deadwax indicates a pressing by Columbia Terre Haute Masterdisk is stamped, runouts etched. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Inside Cover Quote: "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
アメリカ合衆国“CRC Club Edtion - CRC printed in black on lower right hand corner of cover above "Warning"”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
イギリス“This release has the catalogue number CTI DELUXE 7084 on top right of rear sleeve and spine. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter.”
Cat#: CTI DELUXE 7084 · CTI 7084
Baltimore
chevron_rightCTI Records
イタリア“[On labels:] Made in Italy By CBS Sugar S.p.A. ℗ 1978 Creed Taylor, Inc.”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
フランス“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084 · CTI 70.84
Baltimore
chevron_rightCTI Records
カナダ“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
イギリス“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
イギリス“Baltimore is a shorter version than on the LP. From the CTI LP [r1192865] CTI 7084. ℗ 1978 Creed Taylor, Inc Made in England”
Cat#: CTSP 14
CD(18)
Baltimore
chevron_rightEpic / Legacy
オーストラリア“Mixed using the Aphex Aural Exciter at Electric Lady studios, New York, New York. Digitally mastered at Sony Music Studios, New York, New York. Part of the Columbia Jazz Contemporary Masters series, originally released in 1978.”
Cat#: ZK 57906
Baltimore
chevron_rightEpic Associated / Legacy
アメリカ合衆国“Mixed using the Aphex Aural Exciter at Electric Lady studios, New York, New York. Digitally mastered at Sony Music Studios, New York, New York. Part of the [l284230] series, originally released in 1978. 8-page booklet with separate liner notes by [a97480] and [a582796], tracklist, credits and catalogue of the Jazz Contemporary Masters series. Standard CD Jewel case with black tray.”
Cat#: ZK 57906
バーコード: 0 7464-57906-2 6
Baltimore
chevron_rightEpic Associated / Legacy
アメリカ合衆国“© 1995 Sony Music Entertainment Inc./℗ 1978 Sony Music Entertainment Inc. Disc(s) made in Germany, Packaged in USA. Issued in a standard jewel case with a black tray and an 8-page insert booklet. Matrix data suggests a 2018 created glass master.”
Cat#: ZK 57906
バーコード: 8 86972 48752 6
Baltimore
chevron_rightEpic Associated / Legacy
アメリカ合衆国“'Digitally remastered from the original analog masters'. Mixed using the Aphex Aural Exciter at Electric Lady studios, New York, New York. Digitally mastered at Sony Music Studios, New York, New York. Part of the [l284230] series, originally released in 1978. 8-page booklet with separate liner notes by [a97480] and [a582796], tracklist, credits and catalogue of the Jazz Contemporary Masters series. Standard CD Jewel case with black tray.”
Cat#: ZK 57906
バーコード: 074645790626
Baltimore
chevron_rightLegacy / Epic Associated
アメリカ合衆国“Made in Mexico”
Cat#: ZK 57906
バーコード: 8 86972 48752 6
Baltimore
chevron_rightCTI Records
日本“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: KICJ 8072
Baltimore
chevron_rightEpic Associated / Legacy
カナダ“'Digitally remastered from the original analog masters'.”
Cat#: ZK 57906
バーコード: 0 7464-57906-2 6
Baltimore
chevron_rightLegacy
ヨーロッパ“℗ 1978 Sony Music Entertainment, Inc. © 1995 Sony Muisic Entertainment, Inc. Made in Austria Part of the Colombia Jazz Contemporary Masters series, originally released in 1978.”
Cat#: 476906 2
バーコード: 5099747690624
Baltimore
chevron_rightEpic / Legacy
ヨーロッパ“℗ 1978 Sony Music Entertainment, Inc. © 1995 Sony Muisic Entertainment, Inc. Made in Austria”
Cat#: EPC 476906 2 · 476906 2
バーコード: 5 099747 690624
Baltimore
chevron_rightEpic Associated / Legacy
カナダ“© 1995 Sony Music Entertainment, Inc. / ℗ 1978 Sony Music Entertainment Inc. Made in Canada.”
Cat#: ZK 57906
バーコード: 0 7464-57906-2 6
Baltimore
chevron_rightCTI Records
日本“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: KICJ 8219
Baltimore
chevron_rightCTI Records
日本“24bit RE-MASTERING BEST Selection”
Cat#: KICJ 8334
Baltimore
chevron_rightEpic / Legacy / CTI Records
ヨーロッパ“Originally album: "[r=1192865]" CTI 7084 released 3/15/78. Standard jewel case with 8 page insert booklet. Recorded at Studio Katy, Brussels on January 17, 18 & 21, 1978 Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey. Mixed using the Aphex Aural Exciter at Electric Lady studios, New York, New York. Remasterd using <i>Super Bit Mapping</i>. Digitally mastered at Sony Music Studios, New York, New York. Nicky Marreno, courtesy of [l=Fania Records]. Eric Gale, courtesy of [l=Columbia]. Special thanks: Jeff Jonas; Tim Fraser-Harding, Seth Rothstein; Betsy Krouner; Bryan McKenna; Peter Cho; Sony Music Studios; Douglas Payne; Arnaldo DeSouteiro. Total playing time: 37:06. Track 1: Recorded 1/17/78. Publ.: Six Pictures Music (ASCAP). Track 2: Recorded 1/21/78. Publ.: Almo Music Copr. (ASCAP). Track 3: Recorded 1/17/78. Publ.: Sony Tree Publ. Co., Inc. (BMI). Track 4: Recorded 1/18/78. Publ.: Rocky Mountain National Park Music, Inc. (ASCAP). Track 5: Recorded 1/21/78. Publ.: Unknown. Track 6: Recorded 1/21/78. Publ.: Unichappell Music, Inc./Hot-Cha Music Co. (BMI). Track 7: Recorded 1/21/78. Publ.: Weiss & Barry, Inc. (BMI). Track 8: Recorded 1/18/78. Publ.: Char-Liz Music, Inc. (BMI). Track 9: Recorded 1/18/78. Publ.: Char-Liz Music, Inc. (BMI). Track 10: Recorded 1/18/78. Publ.: Char-Liz Music, Inc. (BMI). © 2001 Sony Music Entertainment Inc./ ℗ 2001 Sony Music Entertainment Inc. © 2003 Sony Music Entertainment Inc./ ℗ 2003 Sony Music Entertainment Inc. Distribution Sony Music. Made in Austria.”
Cat#: 5127912
バーコード: 5099751279129
Baltimore
chevron_rightCTI Records
日本Cat#: KICJ 2163
バーコード: 4988003329532
Baltimore
chevron_rightCTI Records
日本Cat#: KICJ 98514
バーコード: 4 988003 378776
Baltimore
chevron_rightCTI Records
日本“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor Includes fold-out insert with original gatefold spread and lyrics in English.”
Cat#: KICJ 2331
バーコード: 4988003443986
Baltimore
chevron_rightCTI Records
日本Cat#: KICJ 2554
バーコード: 4 988003 512897
Baltimore
chevron_rightCTI Records
日本“℗ 1978 King Record Co. Ltd. © 2021 Kings Record Co. Ltd. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: KCTCD1008
バーコード: 4909346023994
テープ(4)
Baltimore
chevron_rightCTI Records
アメリカ合衆国“Recorded at Studio Katy, Brussels in January 1978.”
Cat#: CT8 7084
Baltimore
chevron_rightCTI Records
オーストラリア“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records.”
Cat#: 7201 025
Baltimore
chevron_rightSuzy
ユーゴスラビア“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter.”
Cat#: EPC 460730 4
Baltimore
chevron_rightEpic
イギリス“Recorded in January, 1978”
Cat#: 460730 4
バーコード: 5099746073046