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63 releasesVinyl(41)
Baltimore
chevron_rightCTI Records
United States“Runouts stamped.”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
France“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
United States“Original issue in gatefold cover. The the stamped "Union Jack" symbol in the deadwax indicates a pressing by Keel Mfg. Masterdisk stamp initialed by Dave Crawford (mastering engineer). Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor Very similar to [r8590328] but with a Matrix / Runout variation.”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
Canada“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
Australia“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." Creed Taylor Track B1, "Music For Lovers", was composed by Bart Howard ("Fly Me To The Moon"). It is wrongly attributed to "Nalder-Guthrie" on the label.”
Cat#: 6489 036
Baltimore
chevron_rightCTI Records
United States“From the CTI LP <a href="http://www.discogs.com/release/1192865">Baltimore</a> - CTI 7084. ℗ 1978 Creed Taylor, Inc.”
Cat#: OJ-44
Baltimore
chevron_rightCTI Records
United States“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
France“"Ⓟ Ⓒ 1978, CREED TAYLOR, INC" on back cover "Ⓟ 1978, Creed Taylor, Inc" on label Reissue not before 1979 due to price code.”
Cat#: CTI 9010
Baltimore
chevron_rightCTI Records
United Kingdom“"Limited Edition Special Price" gold stamp on front cover. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter.”
Cat#: CTI DELUXE 7084 · CTI 7084
Baltimore
chevron_rightCTI Records
Netherlands“Gatefold sleeve. Netherlands press: STEMRA mentioned on the Face 2 label Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
United States“Similar to CRC version [r13899924] but in a non-CRC sleeve”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
Japan“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve with obi and Japanese/English lyric/credit insert. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: GP 3161
Baltimore
chevron_rightCTI Records
United States“similar to https://www.discogs.com/Nina-Simone-Baltimore/release/2130849 but label has black print for the "Unauthorized" spiel at bottom”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
United States“Original issue in gatefold cover. The the stamped "Union Jack" symbol in the deadwax indicates a pressing by Keel Mfg. Masterdisk stamp initialed by Dave Crawford (mastering engineer). Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
Europe“Gatefold sleeve. Only 'Biem' stated as rights society on labels. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
Germany“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor © ℗ 1978, Creed Taylor, Inc. Im Vertrieb der Metronome Musik GmbH, Überseering 21, 2000 Hamburg 60, Made in W.-Germany”
Cat#: 0063.041
Baltimore
chevron_rightCTI Records
United States“Original issue in gatefold cover. The "T" and "CTH" in the deadwax indicates a pressing by Columbia Terre Haute Masterdisk is stamped, runouts etched. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Inside Cover Quote: "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
United States“CRC Club Edtion - CRC printed in black on lower right hand corner of cover above "Warning"”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
United Kingdom“This release has the catalogue number CTI DELUXE 7084 on top right of rear sleeve and spine. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter.”
Cat#: CTI DELUXE 7084 · CTI 7084
Baltimore
chevron_rightCTI Records
Italy“[On labels:] Made in Italy By CBS Sugar S.p.A. ℗ 1978 Creed Taylor, Inc.”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
France“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084 · CTI 70.84
Baltimore
chevron_rightCTI Records
Canada“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
United Kingdom“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. Gatefold sleeve. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: CTI 7084
Baltimore
chevron_rightCTI Records
United Kingdom“Baltimore is a shorter version than on the LP. From the CTI LP [r1192865] CTI 7084. ℗ 1978 Creed Taylor, Inc Made in England”
Cat#: CTSP 14
CD(18)
Baltimore
chevron_rightEpic / Legacy
Australia“Mixed using the Aphex Aural Exciter at Electric Lady studios, New York, New York. Digitally mastered at Sony Music Studios, New York, New York. Part of the Columbia Jazz Contemporary Masters series, originally released in 1978.”
Cat#: ZK 57906
Baltimore
chevron_rightEpic Associated / Legacy
United States“Mixed using the Aphex Aural Exciter at Electric Lady studios, New York, New York. Digitally mastered at Sony Music Studios, New York, New York. Part of the [l284230] series, originally released in 1978. 8-page booklet with separate liner notes by [a97480] and [a582796], tracklist, credits and catalogue of the Jazz Contemporary Masters series. Standard CD Jewel case with black tray.”
Cat#: ZK 57906
Barcode: 0 7464-57906-2 6
Baltimore
chevron_rightEpic Associated / Legacy
United States“© 1995 Sony Music Entertainment Inc./℗ 1978 Sony Music Entertainment Inc. Disc(s) made in Germany, Packaged in USA. Issued in a standard jewel case with a black tray and an 8-page insert booklet. Matrix data suggests a 2018 created glass master.”
Cat#: ZK 57906
Barcode: 8 86972 48752 6
Baltimore
chevron_rightEpic Associated / Legacy
United States“'Digitally remastered from the original analog masters'. Mixed using the Aphex Aural Exciter at Electric Lady studios, New York, New York. Digitally mastered at Sony Music Studios, New York, New York. Part of the [l284230] series, originally released in 1978. 8-page booklet with separate liner notes by [a97480] and [a582796], tracklist, credits and catalogue of the Jazz Contemporary Masters series. Standard CD Jewel case with black tray.”
Cat#: ZK 57906
Barcode: 074645790626
Baltimore
chevron_rightLegacy / Epic Associated
United States“Made in Mexico”
Cat#: ZK 57906
Barcode: 8 86972 48752 6
Baltimore
chevron_rightCTI Records
Japan“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: KICJ 8072
Baltimore
chevron_rightEpic Associated / Legacy
Canada“'Digitally remastered from the original analog masters'.”
Cat#: ZK 57906
Barcode: 0 7464-57906-2 6
Baltimore
chevron_rightLegacy
Europe“℗ 1978 Sony Music Entertainment, Inc. © 1995 Sony Muisic Entertainment, Inc. Made in Austria Part of the Colombia Jazz Contemporary Masters series, originally released in 1978.”
Cat#: 476906 2
Barcode: 5099747690624
Baltimore
chevron_rightEpic / Legacy
Europe“℗ 1978 Sony Music Entertainment, Inc. © 1995 Sony Muisic Entertainment, Inc. Made in Austria”
Cat#: EPC 476906 2 · 476906 2
Barcode: 5 099747 690624
Baltimore
chevron_rightEpic Associated / Legacy
Canada“© 1995 Sony Music Entertainment, Inc. / ℗ 1978 Sony Music Entertainment Inc. Made in Canada.”
Cat#: ZK 57906
Barcode: 0 7464-57906-2 6
Baltimore
chevron_rightCTI Records
Japan“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: KICJ 8219
Baltimore
chevron_rightCTI Records
Japan“24bit RE-MASTERING BEST Selection”
Cat#: KICJ 8334
Baltimore
chevron_rightEpic / Legacy / CTI Records
Europe“Originally album: "[r=1192865]" CTI 7084 released 3/15/78. Standard jewel case with 8 page insert booklet. Recorded at Studio Katy, Brussels on January 17, 18 & 21, 1978 Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey. Mixed using the Aphex Aural Exciter at Electric Lady studios, New York, New York. Remasterd using <i>Super Bit Mapping</i>. Digitally mastered at Sony Music Studios, New York, New York. Nicky Marreno, courtesy of [l=Fania Records]. Eric Gale, courtesy of [l=Columbia]. Special thanks: Jeff Jonas; Tim Fraser-Harding, Seth Rothstein; Betsy Krouner; Bryan McKenna; Peter Cho; Sony Music Studios; Douglas Payne; Arnaldo DeSouteiro. Total playing time: 37:06. Track 1: Recorded 1/17/78. Publ.: Six Pictures Music (ASCAP). Track 2: Recorded 1/21/78. Publ.: Almo Music Copr. (ASCAP). Track 3: Recorded 1/17/78. Publ.: Sony Tree Publ. Co., Inc. (BMI). Track 4: Recorded 1/18/78. Publ.: Rocky Mountain National Park Music, Inc. (ASCAP). Track 5: Recorded 1/21/78. Publ.: Unknown. Track 6: Recorded 1/21/78. Publ.: Unichappell Music, Inc./Hot-Cha Music Co. (BMI). Track 7: Recorded 1/21/78. Publ.: Weiss & Barry, Inc. (BMI). Track 8: Recorded 1/18/78. Publ.: Char-Liz Music, Inc. (BMI). Track 9: Recorded 1/18/78. Publ.: Char-Liz Music, Inc. (BMI). Track 10: Recorded 1/18/78. Publ.: Char-Liz Music, Inc. (BMI). © 2001 Sony Music Entertainment Inc./ ℗ 2001 Sony Music Entertainment Inc. © 2003 Sony Music Entertainment Inc./ ℗ 2003 Sony Music Entertainment Inc. Distribution Sony Music. Made in Austria.”
Cat#: 5127912
Barcode: 5099751279129
Baltimore
chevron_rightCTI Records
JapanCat#: KICJ 2163
Barcode: 4988003329532
Baltimore
chevron_rightCTI Records
JapanCat#: KICJ 98514
Barcode: 4 988003 378776
Baltimore
chevron_rightCTI Records
Japan“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor Includes fold-out insert with original gatefold spread and lyrics in English.”
Cat#: KICJ 2331
Barcode: 4988003443986
Baltimore
chevron_rightCTI Records
JapanCat#: KICJ 2554
Barcode: 4 988003 512897
Baltimore
chevron_rightCTI Records
Japan“℗ 1978 King Record Co. Ltd. © 2021 Kings Record Co. Ltd. Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records. "I attended a Nina Simone concert at the Drury Lane Theatre in London in December 1977. Nina played and sang to an ecstatic, packed house. It was clearly evident why her concerts have always been regarded by critics and audiences as an "experience." A month later, I went to Brussels to produce this Nina Simone recording. I have recorded many diverse and talented personalities over the years, but I was not prepared for the "experience" that was to follow in the recording studio. When Nina walks into the studio she radiates the most magnificent intensity of any artist I have ever seen. And when she begins to play and sing she turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message." -Creed Taylor”
Cat#: KCTCD1008
Barcode: 4909346023994
Tape(4)
Baltimore
chevron_rightCTI Records
United States“Recorded at Studio Katy, Brussels in January 1978.”
Cat#: CT8 7084
Baltimore
chevron_rightCTI Records
Australia“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter. Nicky Marrero appears courtesy of Fania Records. Eric Gale appears courtesy of Columbia Records.”
Cat#: 7201 025
Baltimore
chevron_rightSuzy
Yugoslavia“Recorded at Studio Katy, Brussels in January 1978. Mixed at Electric Lady with the Aphex Aural Exciter.”
Cat#: EPC 460730 4
Baltimore
chevron_rightEpic
United Kingdom“Recorded in January, 1978”
Cat#: 460730 4
Barcode: 5099746073046