Pet Sounds

Capitol Records

calendar_today1966Canada

“1st Canadian pressing. Rainbow Capitol labels.”

Capitol Records

calendar_today1966Sweden

Capitol Records

calendar_today1966Argentina

“Original album title translated to "Sonidos Favoritos"”

Capitol Records

calendar_today1966India

Capitol Records

calendar_today1966United States

“"Duophonic For Stereo Phonographs" This version is the Scranton pressing plant variation and can be identified by the label typesetting, the "6" printed on the back cover near the RIAA logo, and by the runout groove information There is [url=https://www.discogs.com/The-Beach-Boys-Pet-Sounds/release/6387713]another Scranton pressing variation[/url] with a "3" instead of the "6" found on the back cover of this version. Also released in 1966 as a mono pressing [url=https://www.discogs.com/The-Beach-Boys-Pet-Sounds/release/1354479](T 2458)[/url]. Catalog number on the cover: DT 2458 Catalog number on the labels: DT-2458”

Capitol Records

calendar_today1966New Zealand

“Misprint on B-side label, with A2 writing credit for Terry Sachen misprinted as 'Teerry Sachen'. Label design is closer to [r=4441762] New Zealand variant. Original mono New Zealand issue. Black labels with colour band perimeter. Front-laminated sleeve with 'flipbacks'.”

Capitol Records

calendar_today1966United Kingdom

“Green labels Laminated front only ℗ 1966 on back cover and labels”

Capitol Records

calendar_today1966Israel

“1st and only Israeli vinyl release Laminated flipbcak cover”

Capitol Records

calendar_today1966Canada

“This version with Mono Labels on Side A and B mispressed with Duophonic master DT2-2458-W2 on Side B. First catalog number on cover and spine, second on label. Runouts are etched. Labels: Black with rainbow rim. "MONOPHONIC" "Mfd. in Canada by Capitol Records (Canada) Ltd. - Registered User. Copyrighted." Front Cover: "File Under: The Beach Boys" "Litho in Canada [P]" on right side. Rear Cover: "Printed in Canada" Spine: "Pet Sounds - The Beach Boys [Capitol Records Logo] T 2458"”

Capitol Records

calendar_today1966United States

“Duophonic For Stereo Phonographs Catalog number on the cover: DT 2458 Catalog number on the labels: DT-2458 This version is the LA pressing plant variation and can be differentiated by the label typesetting, the "9" print code printed on the back cover near the RIAA logo, and by the star symbol stamped in the runout grooves. There are also LA pressing variations with [url=https://www.discogs.com/The-Beach-Boys-Pet-Sounds/release/10481121]"3"[/url] and [url=https://www.discogs.com/release/390866]"6"[/url] print codes on the back cover, which differ from the "9" found on this version.”

Capitol Records

calendar_today1966United States

“This Los Angeles Capitol pressing has number "3" printed on back cover (left of RIAA logo), meaning jacket was made by [l1093183]. Labels numbered "I" and "2", different from "1" and "2" for this release: [r1354479] T 2458 on cover, T-2458 on labels.”

Capitol Records

calendar_today1966United States

“Duophonic stereo version. The bottom back cover has a "4" to the right of the RIAA logo.”

Capitol Records

calendar_today1966Italy

“This version has BIEM / TUDOR ROSE at the bottom of the labels. The other Italian issue [r7291656] has P.F.D.”

UMe / Capitol Records

calendar_today1966United States

“May have "MANUFACTURED in POLAND" sticker or "Made in Poland" printed on the shrink wrap or cover, some versions have it beside the The in The Beach Boys at top right corner and not at bottom cover. [Runouts] Runouts are etched. 5 is backwards on Side B variant 4. [Catalog Numbers] First catalog number (legacy) on jacket top spine, back. Second catalog number (legacy) on labels. Third catalog number on jacket spine, back, in label matrices. [Labels] Capitol logo appears on jacket front, spine, back, labels. EMI logo appears on jacket back. UMe logo appears on jacket back. Track A7 as "Sloop John B." on jacket front. Track B6 as "Caroline No" on jacket front and back.”

Reprise Records / Brother Records

calendar_today1966United States

“Another rare & undated US repress of '72 pressing by Reprise/Brother. New Matrix/Runout never seen on Discogs for this LP. Another label records with mid 70's "W " Warner logo. A circle cuts the Reprise/Brother logo.”

Capitol Records

calendar_today1966United States

“Duophonic For Stereo Phonographs This is a early Jacksonville pressing with the number "4" printed to the right of the RIAA logo in the lower-right corner of the back cover. Catalog number on the cover: DT 2458 Catalog number on the labels: DT-2458”

Capitol Records

calendar_today1966United States

Capitol Records

calendar_today1966Uruguay

Capitol Records

calendar_today1966Venezuela

Capitol Records

calendar_today1966Netherlands

“First cat# on label, second on back cover. Dutch issue on black/silver Capitol label, comes in a UK front-laminated flipback cover. Mfd. by N.V. Bovema in Holland A Capitol Records, Inc., U.S.A. Recording C. C. Duophonic ** For stereo phonographs only Ⓟ 1966 Made and Printed in Great Britain P.L. Printed and made by Garrod & Lofthouse Ltd. Patents pending”

Capitol Records

calendar_today1966Canada

“First Canadian pressing with [l267937] company name on the labels. Later repressed with [l231078] company name on the labels: [r=11950220]. Rainbow labels. The catalogue number "T 2458" appears on the front cover, back cover and spine. The catalogue number "T-2458" appears on the labels. Pressed by is uncredited and is identified by a 1" pressing ring on the labels. Runouts are etched. On the labels: Mfd. in Canada by Capitol Records Canada Ltd. On the front cover: File Under: The Beach Boys Litho in Canada [Parr's logo] On the back cover: Cover Photo: San Diego Zoo Liner Photos: Tokyo, Japan Printed in Canada”

Capitol Records

calendar_today1966Türkiye

Capitol Records

calendar_today1966Singapore

“Duophonic on the cover, playable for stereo and mono”

Capitol Records

Capitol Records

calendar_today1966United States

“Original MONO program (tracks 1-13) Track 14 is MONO, mixed from the original 4-track master tapes. repeats in STEREO on tracks 15-27, remixed from the original 3-track, 4-track and 8-track master tapes. Tracks 1 & 15: Instrumental recorded Jan. 22, 1965. Vocals recorded March-April 1966. Originally released as Capitol Single 5706 "God Only Knows." Tracks 2 & 16: Instrumental Track recorded Nov. 1, 1965 . Instrumental Introduction recorded Jan. 24, 1966. Vocals recorded January-February 1966. Tracks 3 & 17: Basic Track recorded Feb 15, 1966. Additional instrumentation and Vocals recorded February or March 1966. Tracks 4 & 18: Instrumental track recorded Feb 11, 1966, String Overdub recorded April 3, 1966. Tracks 5 & 19: Instrumental and String overdub recorded March 6 1966. Vocals recorded March 1966. Tracks 6 & 20: Instrumental Recorded Jan 18, 1966. String and Flute overdubs recorded Jan 19, 1966. Released October 10, 1966 as B-Side of Capitol single 5676, "Good Vibrations." Tracks 7 & 21: Instrumental recorded July 12, 1965. Vocals recorded Dec. 22, 1965. New Lead Vocals and 12-string electric guitar overdub recorded Dec 29, 1965. High Harmony lead and additional backing vocals recorded Jan. 1966. Released March 21, 1966 as Capitol Single 5602. Tracks 8 & 22: Instrumental recorded March 10, 1966. Vocals recorded March-April 1966. Released July 18, 1966 as the B-Side of Capitol Single 5706 "Wouldn't It Be Nice." Tracks 9 & 23: Instrumental recorded Feb 9, 1966. Vocals recorded February -March 1966. Originally Titled "Hang On to your Ego." Tracks 10 & 24: Instrumental recorded March 11, 1966. Vocals recorded March 25, 1966. Tracks 11 & 25: Instrumental recorded Feb 14, 1966. Vocals recored March-April 1966. Tracks 12 & 26 recored Nov. 17, 1965. Tracks 13 & 27 recorded Jan 31, 1966. Released March 7, 1966 as Capitol single 5610. Track 14 recorded Feb. 9, 1966. Mixed December 1987. Instrumentals on Tracks 1, 11, 15 & 25 recorded at Gold Star Recording Studios, Hollywood, CA. Vocals on Tracks 1, 5, 8, 10, 11, 15, 19, 22, 24 & 25 recorded at Columbia Studios, Hollywood, CA. Tracks 2 to 4, 5 (instrumental and string overdub), 6, 7, 8 (instrumental), 9, 12 to 14, 16, 17, 18, 19 (instrumental and string overdub), 20, 21, 22 (instrumental), 23, 26 & 27 Recorded at Western Recorders, Hollywood, CA. Tracks 10 & 24 (Instrumental) recorded at Sunset Sound, Hollywood, CA. Track 14 Mixed at capitol records, Hollywood, CA. Tracks 15-27 Produced and Engineered at "Your Place or Mine" Recording Studios, Glendale CA. Track 14 Mixed at Capitol Mastering, Hollywood, CA, 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. ℗© Capitol Records, Inc. Manufactured by Capitol Records, Inc., 1750 N. Vine Street, Hollywood, CA 90028. Printed in the U.S.A. Glass master date of 2004-March-13 based on "C40313" in matrix. This release is a repress/reissue. Release date is intentionally left blank.”

Capitol Records

calendar_today1966Europe

“Original Mono program (1-13) repeats in Stereo (15-27). Stereo versions mastered from the Brian Wilson's original master recording that was released in May 1966. Track 14 is Mono, mixed from the original four-track master tape. Remastered at Oceanview Digital Mastering using the HDCD process under the supervision of Mark Linett. Bonus track mixed at Capitol Mastering. Comes with a 27 page booklet.”

Capitol Records

calendar_today1966Australia

“Original MONO program (tracks 1-13) Track 14 is MONO, mixed from the original 4-track master tapes. repeats in STEREO on tracks 15-27, remixed from the original 3-track, 4-track and 8-track master tapes. Tracks 1 & 15: Instrumental recorded Jan. 22, 1965. Vocals recorded March-April 1966. Originally released as Capitol Single 5706 "God Only Knows." Tracks 2 & 16: Instrumental Track recorded Nov. 1, 1965 . Instrumental Introduction recorded Jan. 24, 1966. Vocals recorded January-February 1966. Tracks 3 & 17: Basic Track recorded Feb 15, 1966. Additional instrumentation and Vocals recorded February or March 1966. Tracks 4 & 18: Instrumental track recorded Feb 11, 1966, String Overdub recorded April 3, 1966. Tracks 5 & 19: Instrumental and String overdub recorded March 6 1966. Vocals recorded March 1966. Tracks 6 & 20: Instrumental Recorded Jan 18, 1966. String and Flute overdubs recorded Jan 19, 1966. Released October 10, 1966 as B-Side of Capitol single 5676, "Good Vibrations." Tracks 7 & 21: Instrumental recorded July 12, 1965. Vocals recorded Dec. 22, 1965. New Lead Vocals and 12-string electric guitar overdub recorded Dec 29, 1965. High Harmony lead and additional backing vocals recorded Jan. 1966. Released March 21, 1966 as Capitol Single 5602. Tracks 8 & 22: Instrumental recorded March 10, 1966. Vocals recorded March-April 1966. Released July 18, 1966 as the B-Side of Capitol Single 5706 "Wouldn't It Be Nice." Tracks 9 & 23: Instrumental recorded Feb 9, 1966. Vocals recorded February -March 1966. Originally Titled "Hang On to your Ego." Tracks 10 & 24: Instrumental recorded March 11, 1966. Vocals recorded March 25, 1966. Tracks 11 & 25: Instrumental recorded Feb 14, 1966. Vocals recored March-April 1966. Tracks 12 & 26 recored Nov. 17, 1965. Tracks 13 & 27 recorded Jan 31, 1966. Released March 7, 1966 as Capitol single 5610. Track 14 recorded Feb. 9, 1966. Mixed December 1987. Instrumentals on Tracks 1, 11, 15 & 25 recorded at Gold Star Recording Studios, Hollywood, CA. Vocals on Tracks 1, 5, 8, 10, 11, 15, 19, 22, 24 & 25 recorded at Columbia Studios, Hollywood, CA. Tracks 2 to 4, 5 (instrumental and string overdub), 6, 7, 8 (instrumental), 9, 12 to 14, 16, 17, 18, 19 (instrumental and string overdub), 20, 21, 22 (instrumental), 23, 26 & 27 Recorded at Western Recorders, Hollywood, CA. Tracks 10 & 24 (Instrumental) recorded at Sunset Sound, Hollywood, CA. Track 14 Mixed at capitol records, Hollywood, CA. Tracks 15-27 Produced and Engineered at "Your Place or Mine" Recording Studios, Glendale CA. Track 14 Mixed at Capitol Mastering, Hollywood, CA, 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. ℗© Capitol Records, Inc.”

Capitol Records

calendar_today1966Australia

“Original MONO program (tracks 1-13) Track 14 is MONO, mixed from the original 4-track master tapes. repeats in STEREO on tracks 15-27, remixed from the original 3-track, 4-track and 8-track master tapes. Tracks 1 & 15: Instrumental recorded Jan. 22, 1965. Vocals recorded March-April 1966. Originally released as Capitol Single 5706 "God Only Knows." Tracks 2 & 16: Instrumental Track recorded Nov. 1, 1965 . Instrumental Introduction recorded Jan. 24, 1966. Vocals recorded January-February 1966. Tracks 3 & 17: Basic Track recorded Feb 15, 1966. Additional instrumentation and Vocals recorded February or March 1966. Tracks 4 & 18: Instrumental track recorded Feb 11, 1966, String Overdub recorded April 3, 1966. Tracks 5 & 19: Instrumental and String overdub recorded March 6 1966. Vocals recorded March 1966. Tracks 6 & 20: Instrumental Recorded Jan 18, 1966. String and Flute overdubs recorded Jan 19, 1966. Released October 10, 1966 as B-Side of Capitol single 5676, "Good Vibrations." Tracks 7 & 21: Instrumental recorded July 12, 1965. Vocals recorded Dec. 22, 1965. New Lead Vocals and 12-string electric guitar overdub recorded Dec 29, 1965. High Harmony lead and additional backing vocals recorded Jan. 1966. Released March 21, 1966 as Capitol Single 5602. Tracks 8 & 22: Instrumental recorded March 10, 1966. Vocals recorded March-April 1966. Released July 18, 1966 as the B-Side of Capitol Single 5706 "Wouldn't It Be Nice." Tracks 9 & 23: Instrumental recorded Feb 9, 1966. Vocals recorded February -March 1966. Originally Titled "Hang On to your Ego." Tracks 10 & 24: Instrumental recorded March 11, 1966. Vocals recorded March 25, 1966. Tracks 11 & 25: Instrumental recorded Feb 14, 1966. Vocals recored March-April 1966. Tracks 12 & 26 recored Nov. 17, 1965. Tracks 13 & 27 recorded Jan 31, 1966. Released March 7, 1966 as Capitol single 5610. Track 14 recorded Feb. 9, 1966. Mixed December 1987. Instrumentals on Tracks 1, 11, 15 & 25 recorded at Gold Star Recording Studios, Hollywood, CA. Vocals on Tracks 1, 5, 8, 10, 11, 15, 19, 22, 24 & 25 recorded at Columbia Studios, Hollywood, CA. Tracks 2 to 4, 5 (instrumental and string overdub), 6, 7, 8 (instrumental), 9, 12 to 14, 16, 17, 18, 19 (instrumental and string overdub), 20, 21, 22 (instrumental), 23, 26 & 27 Recorded at Western Recorders, Hollywood, CA. Tracks 10 & 24 (Instrumental) recorded at Sunset Sound, Hollywood, CA. Track 14 Mixed at capitol records, Hollywood, CA. Tracks 15-27 Produced and Engineered at "Your Place or Mine" Recording Studios, Glendale CA. Track 14 Mixed at Capitol Mastering, Hollywood, CA, 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. ℗© Capitol Records, Inc.”

Capitol Records

calendar_today1966Europe

“Original Mono program (1-13) repeats in Stereo (15-27). Stereo versions mastered from the Brian Wilson's original master recording that was released in May 1966. Track 14 is Mono, mixed from the original four-track master tape. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process under the supervision of Mark Linett. Bonus track mixed at Capitol Mastering, Hollywood, CA, 1987. ℗ & © 2001 Capitol Records, Inc. © 2001 Capitol Records, Inc. Printed in the EU. Made in EU.”

Capitol Records

calendar_today1966Europe

“Originally released in 1966. ℗ © 1990 Capitol Records Inc. Made in Holland. Digitally remastered at Capitol Records, Hollywood, December 1987. Tracks 14-16 are bonus tracks; mixed at Capitol Records, Hollywood, except track 16 mixed at Your Place or Mine Studios, Los Angeles. "CD FA 3298" is the UK cat number”

Capitol Records

calendar_today1966Europe

“Packaged in a standard jewel case with a black tray. 8 page booklet contains artwork and photography from the original release, liner notes from March, 1990 and a note on the HDCD transfer process. Tracks 6 and 7 are miscredited to "Brain Wilson". [Rear Insert:] ℗ 2000 ... Capitol Records, Inc. © 2000 Capitol Records, Inc. Printed in the EU. [Disc Label:] Made in EU [Booklet:] PET SOUNDS originally released on 5/16/66 (Capitol 5610). Similar releases: [r=371314] - glass mastered and pressed by EMI Uden [r=12592614] - glass mastered by EMI Uden, pressed by Mediamotion [r=6963070] - manufactured by EMI UK [r=6931220] - manufactured by www.imsgroup.it [r=8893772] - manufactured by www.takt.eu”

Capitol Records

calendar_today1966Europe

“Released in a standard jewel case with black tray and 24-page booklet. Originally released in 1966. ℗ © 1990 Capitol Records Inc. Made in Holland. Digitally remastered at Capitol Records, Hollywood, December 1987. Tracks 14-16 are bonus tracks; mixed at Capitol Records, Hollywood, except track 16 mixed at Your Place or Mine Studios, Los Angeles. Same as [r4490567] except this one has a mould/SID code.”

Capitol Records

calendar_today1966United States

“DIDY 002399 on disc. Includes 24 pages booklet. Originally released in 1966. Does not indicate on disc or case, but this version is the mono mix.”

Capitol Records

calendar_today1966Canada

“℗ © 2001 Capitol Records, Inc. Made in Canada. This release has different text from [r3070780] on the back of the tray liner, and although it appears to have packaging and art work identical to [r10055017], the Cinram repress from 2007, as evidenced by the full set of images provided, it was pressed by a manufacturer other than Cinram. Issued in a standard jewel case with 28-page cover booklet. Original album in MONO (tracks 1-13); track 14 is MONO, a bonus track, mixed from the original 4-track master tapes. Songs repeat in STEREO on tracks 15-27, remixed from the original 3-track, 4-track and 8-track master tapes. Tracks 1 & 15: Instrumental recorded Jan. 22, 1965. Vocals recorded March-April 1966. Originally released as Capitol Single 5706 "God Only Knows." Tracks 2 & 16: Instrumental Track recorded Nov. 1, 1965 . Instrumental Introduction recorded Jan. 24, 1966. Vocals recorded January-February 1966. Tracks 3 & 17: Basic Track recorded Feb 15, 1966. Additional instrumentation and Vocals recorded February or March 1966. Tracks 4 & 18: Instrumental track recorded Feb 11, 1966, String Overdub recorded April 3, 1966. Tracks 5 & 19: Instrumental and String overdub recorded March 6 1966. Vocals recorded March 1966. Tracks 6 & 20: Instrumental Recorded Jan 18, 1966. String and Flute overdubs recorded Jan 19, 1966. Released October 10, 1966 as B-Side of Capitol single 5676, "Good Vibrations." Tracks 7 & 21: Instrumental recorded July 12, 1965. Vocals recorded Dec. 22, 1965. New Lead Vocals and 12-string electric guitar overdub recorded Dec 29, 1965. High Harmony lead and additional backing vocals recorded Jan. 1966. Released March 21, 1966 as Capitol Single 5602. Tracks 8 & 22: Instrumental recorded March 10, 1966. Vocals recorded March-April 1966. Released July 18, 1966 as the B-Side of Capitol Single 5706 "Wouldn't It Be Nice." Tracks 9 & 23: Instrumental recorded Feb 9, 1966. Vocals recorded February -March 1966. Originally Titled "Hang On to your Ego." Tracks 10 & 24: Instrumental recorded March 11, 1966. Vocals recorded March 25, 1966. Tracks 11 & 25: Instrumental recorded Feb 14, 1966. Vocals recored March-April 1966. Tracks 12 & 26 recored Nov. 17, 1965. Tracks 13 & 27 recorded Jan 31, 1966. Released March 7, 1966 as Capitol single 5610. Track 14 recorded Feb. 9, 1966. Mixed December 1987. Instrumentals on Tracks 1, 11, 15 & 25 recorded at Gold Star Recording Studios, Hollywood, CA. Vocals on Tracks 1, 5, 8, 10, 11, 15, 19, 22, 24 & 25 recorded at Columbia Studios, Hollywood, CA. Tracks 2 to 4, 5 (instrumental and string overdub), 6, 7, 8 (instrumental), 9, 12 to 14, 16, 17, 18, 19 (instrumental and string overdub), 20, 21, 22 (instrumental), 23, 26 & 27 Recorded at Western Recorders, Hollywood, CA. Tracks 10 & 24 (Instrumental) recorded at Sunset Sound, Hollywood, CA. Track 14 Mixed at capitol records, Hollywood, CA. Tracks 15-27 Produced and Engineered at "Your Place or Mine" Recording Studios, Glendale CA. Track 14 Mixed at Capitol Mastering, Hollywood, CA, 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, in 2000 using the HDCD process.”

Capitol Records

calendar_today1966Europe

“50th Anniversary Edition Tracks 2-14 to 2-24 are previously unreleased. ℗© 2016 Capitol Records, LLC. Made in the EU”

Capitol Records

calendar_today1966United States

“Issue with unique runout/matrix The Complete Album In Stereo & Mono Original MONO program (tracks 1-13) repeats in STEREO on tracks 15-27 (remixed from the original three-track, four-track and eight-track master tapes). Track 14 is mono, mixed from the original four-track master tape. Tracks 15-27 Produced & Engineered at "Your Place or Mine" Recording Studios, Glendale CA, January-February 1996, and were originally released November 4, 1997 on [m=176805]. Track 14 Mixed at Capitol Mastering, Hollywood, CA, 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. Billboard Ⓡ chart positions and debut dates courtesy of BPI Communications and Joel Whitburn’s Record Research Publications. Text pp. 6-16 © 1990, 1996, 2000 David Leaf Productions, Inc. Tracks 1 & 15: Instrumental track recorded Jan. 22, 1965 at Gold Star Recording Studios, Hollywood CA. Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA. Released as Capitol single 5706. Originally the “B” side of the [m=78235] single. Tracks 2 & 16: Instrumental track recorded Nov. 1, 1965 at Western Recorders, Hollywood, CA. Instrumental introduction recorded Jan. 24, 1966 at Western Recorders. Vocals recorded January-February 1966 at Western Recorders. Tracks 3 & 17: Basic Track recorded Feb 15, 1966 at Western Recorders, Hollywood, CA. Additional instrumentation and vocals recorded February or March 1966 at Western Recorders. The AFM contract for this date lists Brian, Carl, Dennis, Alan and Bruce as having played on this track. However, on the surviving session tape, only Brian, Carl and Dennis are clearly audible on the basic track, which includes just drums, organ, one guitar and tambourine. As Brian was on the studio floor, Bruce was in the control booth, helping Chuck Britz direct the session. The tambourine apparently was played by Alan Jardine or an uncredited Terry Melcher; Brian has named the latter on at least one occasion. Overdubbed at a later session: String Bass, Electric Bass, 12-String Electric Guitar, Percussion. Tracks 4 & 18: Instrumental track and lead vocal recorded Feb. 11, 1966 at Western Recorders. String overdub recorded April 3, 1966 at Western Recorders. Overdub session: Violins, Viola, Cello. Tracks 5 & 19: Instrumental track and string overdub recorded March 6, 1966 at Western Recorders. Vocals recorded March 1966 at Columbia Studios. Overdub session: Violins, Viola, String Bass. Tracks 6 & 20: Instrumental recorded Jan. 18, 1966 at Western Recorders. String and flute overdubs recorded Jan. 19, 1966 at Western Recorders. Released Oct. 10, 1966 as the B-side of Capitol single 5676 ([m=78242]). Overdub session: Violins, Violas, Cello, Flutes. Tracks 7 & 21: Instrumental track recorded July 12, 1965 at Western Recorders. Vocals recorded Dec. 22, 1965 at Western Recorders. New lead vocals and 12-strong electric guitar overdub recorded Dec. 29, 1965 at Western Recorders. High harmony lead and additional backing vocals recorded January 1966 at Western Recorders. Released March 21, 1966 as Capitol single 5602. Overdub session: 12-string electric guitar. Tracks 8 & 22: Instrumental track recorded March 10, 1966 at Western Recorders. Vocals recorded March-April 1966 at Columbia Studios. Released July 18, 1966 as the B-side of Capitol single 5706 ([m=78442]). Tracks 9 & 23: Instrumental track recorded Feb. 9, 1966 at Western Recorders. Vocals recorded February-March 1966 at Western Recorders. Originally titled “Hang On To Your Ego” (a version of which is Track 14). When the lyric of the chorus was changed, so was the title. Overdub session: guitar [Glen Campbell]. Tracks 10 & 24: Instrumental track recorded March 11, 1966 at Sunset Sound. Vocals recorded March 25, 1966 at Columbia Studios. Tracks 11 & 25: Instrumental track recorded Feb. 14, 1966 at Gold Star Recording Studios. Vocals recorded March-April 1966 at Columbia Studios. Tracks 12 & 26 Instrumental recorded Nov. 17, 1965 at Western Recorders. Originally called “Run James Run” (it was written with James Bond in mind). Tracks 13 & 27 recorded Jan. 31, 1966 at Western Recorders. Released March 7, 1966 as Capitol single 5610, by Brian Wilson. Brian’s two dogs (Banana and Louie) can be heard on the canine coda. Overdub session: Drums (in vamp), Electric bass, Harpsichord, Tenor saxophone. Track 14 recorded Feb. 9, 1966 at Western Recorders. Mixed at Capitol Records, December 1987. Originally released as a bonus track on the 1990 Pet Sounds CD. Musician credits followed by “?” indicate speculative participation in session. NOTE: The sessionography is a revised version of what appeared in The Pet Sounds Sessions box set. Since this session information was derived largely from musician’s union contracts, it is not possible to totally guarantee its accuracy (AFM session contracts are created simply to assure payment to union members). Some of the contracts for Pet Sounds included persons who didn’t play on a given session, such as engineer Chuck Britz, as well as musicians who weren’t at the session. Furthermore, while the contracts contain the session date, the hours booked and a song title, none needed to be precisely accurate, and in the case of the date, it was often changed to follow the union requirements regarding the prompt reporting of sessions. Cover Photo: Capitol Photo Studio/San Diego Zoo Liner Photos: Tokyo, Japan ℗© 2001 Capitol Records, Inc. Manufactured by Capitol Records, Inc., 1750 N. Vine Street, Hollywood, CA 90028. Printed in U.S.A. Made in the U.S.A.”

Capitol Records

calendar_today1966Europe

“Repress of [r1430770] Individual credits for tracks CD-1 to CD-13 (and CD-15 to CD-27) apply also to tracks DVD-8 and DVD-9. Double-disc jewel-case release commemorating the 40th anniversary of the original release. 16-bit Stereo Mixes (CD) at Your Place Or Mine Recording Studios, Glendale, CA, January-February 1996 (originally released November 4, 1997 on "THE PET SOUNDS SESSIONS" box set). Mono Bonus Track (CD) Mixed at Capitol Mastering Studios, Hollywood, CA, December 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. Hi-Res PCM Stereo Mix (DVD) Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2002 using the HDCD process. Surround Mix (DVD) Mixed at Your Place Or Mine Recording Studios, Glendale, CA, April-July 2002. Surround Mastered at Future Disc, Hollywood, CA, 2002. Hi-Res PCM Mono Bonus Track Remastered at Your Place Or Mine Recording Studios, Glendale, CA, November 2005. DVD Authoring & Design: Abbey Road Interactive. PET SOUNDS Originally released in 1966 on Capitol as T-2458. ℗ 2006 Capitol Records, Inc. © Capitol Records, Inc. Printed in the EU. MADE IN THE EU”

Capitol Records

Capitol Records

calendar_today1966United States

“BMG Direct version No track times given. Includes the bonus tracks "Unreleased Backgrounds", "Hang On To Your Ego" and "Trombone Dixie"”

Capitol Records

calendar_today1966Europe

“Original Mono program (1-13) repeats in Stereo (15-27). Stereo versions mastered from the Brian Wilson's original master recording that was released in May 1966. Track 14 is Mono, mixed from the original four-track master tape. Remastered at Oceanview Digital Mastering using the HDCD process under the supervision of Mark Linett. Bonus track mixed at Capitol Mastering. ℗© 2001 Capitol Records, Inc. Made in EU. Printed in the EU. Some came with round yellow promo sticker as visible under [r7428025]”

Capitol Records

calendar_today1966United States

“Inlay: The Complete Album In Stereo & Mono Back Cover: Stereo Mix Produced & Engineered at "Your Place Or Mine" Recording Studios, Glendale, CA. Bonus Track Mixed at Capitol Mastering, Hollywood, CA, 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. ℗© 2001 Capitol Records, Inc. Manufactured by Capitol Records, Inc. Printed in the U.S.A. CD: ℗© 2001 Capitol Records, Inc. Made in the U.S.A. Liner Notes: Stereo Mixes Produced & Engineered at Your Place or Mine Recording Studios, Glendale CA, January-February 1996 Bonus Track Mixed at Capitol Mastering, Hollywood, CA, 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. Special Thanks: Roy Lott, Andrew G. Doe, Cameron Mott, Eva Easton, Matt Hafey, Ray Lawlor, Robbie Leff, Elliott Lott Billboard Ⓡ chart positions and debut dates courtesy of BPI Communications and Joel Whitburn’s Record Research Publications. Text pp. 6-16 © 1990, 1996, 2000 David Leaf Productions, Inc. David Leaf wrote the liner notes for [m=176805] box set, from which these essays are adapted. Track 14 is mono. Tracks 15-27 are stereo, remixed from the original three-track, four-track and eight-track master tapes. Stereo mixes were originally released November 4, 1997 on [m=176805] boxed set. - Tracks 1 & 15: Instrumental track recorded Jan. 22, 1965 at Gold Star Recording Studios, Hollywood CA. Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA. Released as Capitol single 5706. Originally the “B” side of the [m=78235] single. Tracks 2 & 16: Instrumental track recorded Nov. 1, 1965 at Western Recorders, Hollywood, CA. Instrumental introduction recorded Jan. 24, 1966 at Western Recorders. Vocals recorded January-February 1966 at Western Recorders. Tracks 3 & 17: Basic Track recorded Feb 15, 1966 at Western Recorders, Hollywood, CA. Additional instrumentation and vocals recorded February or March 1966 at Western Recorders. The AFM contract for this date lists Brian, Carl, Dennis, Alan and Bruce as having played on this track. However, on the surviving session tape, only Brian, Carl and Dennis are clearly audible on the basic track, which includes just drums, organ, one guitar and tambourine. As Brian was on the studio floor, Bruce was in the control booth, helping Chuck Britz direct the session. The tambourine apparently was played by Alan Jardine or an uncredited Terry Melcher; Brian has named the latter on at least one occasion. Overdubbed at a later session: String Bass, Electric Bass, 12-String Electric Guitar, Percussion. Tracks 4 & 18: Instrumental track and lead vocal recorded Feb. 11, 1966 at Western Recorders. String overdub recorded April 3, 1966 at Western Recorders. Overdub session: Violins, Viola, Cello. Tracks 5 & 19: Instrumental track and string overdub recorded March 6, 1966 at Western Recorders. Vocals recorded March 1966 at Columbia Studios. Overdub session: Violins, Viola, String Bass. Tracks 6 & 20: Instrumental recorded Jan. 18, 1966 at Western Recorders. String and flute overdubs recorded Jan. 19, 1966 at Western Recorders. Released Oct. 10, 1966 as the B-side of Capitol single 5676 ([m=78242]). Overdub session: Violins, Violas, Cello, Flutes. Tracks 7 & 21: Instrumental track recorded July 12, 1965 at Western Recorders. Vocals recorded Dec. 22, 1965 at Western Recorders. New lead vocals and 12-strong electric guitar overdub recorded Dec. 29, 1965 at Western Recorders. High harmony lead and additional backing vocals recorded January 1966 at Western Recorders. Released March 21, 1966 as Capitol single 5602. Overdub session: 12-string electric guitar. Tracks 8 & 22: Instrumental track recorded March 10, 1966 at Western Recorders. Vocals recorded March-April 1966 at Columbia Studios. Released July 18, 1966 as the B-side of Capitol single 5706 ([m=78442]). Tracks 9 & 23: Instrumental track recorded Feb. 9, 1966 at Western Recorders. Vocals recorded February-March 1966 at Western Recorders. Originally titled “Hang On To Your Ego” (a version of which is Track 14). When the lyric of the chorus was changed, so was the title. Overdub session: guitar Tracks 10 & 24: Instrumental track recorded March 11, 1966 at Sunset Sound. Vocals recorded March 25, 1966 at Columbia Studios. Tracks 11 & 25: Instrumental track recorded Feb. 14, 1966 at Gold Star Recording Studios. Vocals recorded March-April 1966 at Columbia Studios. Tracks 12 & 26 Instrumental recorded Nov. 17, 1965 at Western Recorders. Originally called “Run James Run” (it was written with James Bond in mind). Tracks 13 & 27 recorded Jan. 31, 1966 at Western Recorders. Released March 7, 1966 as Capitol single 5610, by Brian Wilson. [a363017] reportedly took the master tape that Brian had approved and before it was submitted to Capitol, he sped it up in an effort to make Brian sound younger. The single version did not include either the dog barks or the sound of the train, which probably came from a sound effects library. At a March session at Western, outtakes of which are included on "The Pet Sounds Sessions" box, Brian recorded his two dogs, Banana, a beagle and Louie, a weimaraner. Overdub session: Drums (in vamp), Electric bass, Harpsichord, Tenor saxophone. Track 14 recorded Feb. 9, 1966 at Western Recorders, Hollywood, CA. Mixed from the original four-track master tape at Capitol Records, Hollywood, CA, December 1987. Originally released as a bonus track on the 1990 Pet Sounds CD. - Musician credits followed by “?” indicate speculative participation in session. - NOTE: The sessionography is a revised version of what appeared in The Pet Sounds Sessions box set. Since this session information was derived largely from musician’s union contracts, it is not possible to totally guarantee its accuracy (AFM session contracts are created simply to assure payment to union members). Some of the contracts for Pet Sounds included persons who didn’t play on a given session, such as engineer Chuck Britz, as well as musicians who weren’t at the session. Furthermore, while the contracts contain the session date, the hours booked and a song title, none needed to be precisely accurate, and in the case of the date, it was often changed to follow the union requirements regarding the prompt reporting of sessions. - Cover Photo: Capitol Photo Studio/San Diego Zoo Liner Photos: Tokyo, Japan ℗© 2001 Capitol Records, Inc. Manufactured by Capitol Records, Inc. Printed in U.S.A.”

Capitol Records

calendar_today1966Europe

“Originally released on 5/16/66 (Capitol T-2458). Made in EU. Printed in the EU.”

Analogue Productions / Universal Music Special Markets

calendar_today1966United States

“Originally released in 1966. Reissued by Analogue Productions.”

Capitol Records

calendar_today1966Canada

“Originally released in 1966. Tracks 14-16 are bonus tracks. Digitally Remastered. Ⓟ © 1990 Capitol Records, Inc. on label. CDP 548421 on label. Printed In Canada on back covers. Made In Canada printed on the disc. Originally released in 1966: [m17217].”

Capitol Records

calendar_today1966Brazil

“Inlay: The Complete Album In Stereo & Mono Back Cover: Stereo Mix Produced & Engineered at "Your Place Or Mine" Recording Studios, Glendale, CA. Bonus Track Mixed at Capitol Mastering, Hollywood, CA, 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. ℗© 2001 Capitol Records, Inc. Manufactured by Capitol Records, Inc. Printed in Brazil CD: ℗© 2001 Capitol Records, Inc. Made in Brazil Liner Notes: Stereo Mixes Produced & Engineered at Your Place or Mine Recording Studios, Glendale CA, January-February 1996 Bonus Track Mixed at Capitol Mastering, Hollywood, CA, 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. Special Thanks: Roy Lott, Andrew G. Doe, Cameron Mott, Eva Easton, Matt Hafey, Ray Lawlor, Robbie Leff, Elliott Lott Billboard Ⓡ chart positions and debut dates courtesy of BPI Communications and Joel Whitburn’s Record Research Publications. Text pp. 6-16 © 1990, 1996, 2000 David Leaf Productions, Inc. David Leaf wrote the liner notes for [m=176805] box set, from which these essays are adapted. Track 14 is mono. Tracks 15-27 are stereo, remixed from the original three-track, four-track and eight-track master tapes. Stereo mixes were originally released November 4, 1997 on [m=176805] boxed set. - Tracks 1 & 15: Instrumental track recorded Jan. 22, 1965 at Gold Star Recording Studios, Hollywood CA. Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA. Released as Capitol single 5706. Originally the “B” side of the [m=78235] single. Tracks 2 & 16: Instrumental track recorded Nov. 1, 1965 at Western Recorders, Hollywood, CA. Instrumental introduction recorded Jan. 24, 1966 at Western Recorders. Vocals recorded January-February 1966 at Western Recorders. Tracks 3 & 17: Basic Track recorded Feb 15, 1966 at Western Recorders, Hollywood, CA. Additional instrumentation and vocals recorded February or March 1966 at Western Recorders. The AFM contract for this date lists Brian, Carl, Dennis, Alan and Bruce as having played on this track. However, on the surviving session tape, only Brian, Carl and Dennis are clearly audible on the basic track, which includes just drums, organ, one guitar and tambourine. As Brian was on the studio floor, Bruce was in the control booth, helping Chuck Britz direct the session. The tambourine apparently was played by Alan Jardine or an uncredited Terry Melcher; Brian has named the latter on at least one occasion. Overdubbed at a later session: String Bass, Electric Bass, 12-String Electric Guitar, Percussion. Tracks 4 & 18: Instrumental track and lead vocal recorded Feb. 11, 1966 at Western Recorders. String overdub recorded April 3, 1966 at Western Recorders. Overdub session: Violins, Viola, Cello. Tracks 5 & 19: Instrumental track and string overdub recorded March 6, 1966 at Western Recorders. Vocals recorded March 1966 at Columbia Studios. Overdub session: Violins, Viola, String Bass. Tracks 6 & 20: Instrumental recorded Jan. 18, 1966 at Western Recorders. String and flute overdubs recorded Jan. 19, 1966 at Western Recorders. Released Oct. 10, 1966 as the B-side of Capitol single 5676 ([m=78242]). Overdub session: Violins, Violas, Cello, Flutes. Tracks 7 & 21: Instrumental track recorded July 12, 1965 at Western Recorders. Vocals recorded Dec. 22, 1965 at Western Recorders. New lead vocals and 12-strong electric guitar overdub recorded Dec. 29, 1965 at Western Recorders. High harmony lead and additional backing vocals recorded January 1966 at Western Recorders. Released March 21, 1966 as Capitol single 5602. Overdub session: 12-string electric guitar. Tracks 8 & 22: Instrumental track recorded March 10, 1966 at Western Recorders. Vocals recorded March-April 1966 at Columbia Studios. Released July 18, 1966 as the B-side of Capitol single 5706 ([m=78442]). Tracks 9 & 23: Instrumental track recorded Feb. 9, 1966 at Western Recorders. Vocals recorded February-March 1966 at Western Recorders. Originally titled “Hang On To Your Ego” (a version of which is Track 14). When the lyric of the chorus was changed, so was the title. Overdub session: guitar Tracks 10 & 24: Instrumental track recorded March 11, 1966 at Sunset Sound. Vocals recorded March 25, 1966 at Columbia Studios. Tracks 11 & 25: Instrumental track recorded Feb. 14, 1966 at Gold Star Recording Studios. Vocals recorded March-April 1966 at Columbia Studios. Tracks 12 & 26 Instrumental recorded Nov. 17, 1965 at Western Recorders. Originally called “Run James Run” (it was written with James Bond in mind). Tracks 13 & 27 recorded Jan. 31, 1966 at Western Recorders. Released March 7, 1966 as Capitol single 5610, by Brian Wilson. [a363017] reportedly took the master tape that Brian had approved and before it was submitted to Capitol, he sped it up in an effort to make Brian sound younger. The single version did not include either the dog barks or the sound of the train, which probably came from a sound effects library. At a March session at Western, outtakes of which are included on "The Pet Sounds Sessions" box, Brian recorded his two dogs, Banana, a beagle and Louie, a weimaraner. Overdub session: Drums (in vamp), Electric bass, Harpsichord, Tenor saxophone. Track 14 recorded Feb. 9, 1966 at Western Recorders, Hollywood, CA. Mixed from the original four-track master tape at Capitol Records, Hollywood, CA, December 1987. Originally released as a bonus track on the 1990 Pet Sounds CD. - Musician credits followed by “?” indicate speculative participation in session. - NOTE: The sessionography is a revised version of what appeared in The Pet Sounds Sessions box set. Since this session information was derived largely from musician’s union contracts, it is not possible to totally guarantee its accuracy (AFM session contracts are created simply to assure payment to union members). Some of the contracts for Pet Sounds included persons who didn’t play on a given session, such as engineer Chuck Britz, as well as musicians who weren’t at the session. Furthermore, while the contracts contain the session date, the hours booked and a song title, none needed to be precisely accurate, and in the case of the date, it was often changed to follow the union requirements regarding the prompt reporting of sessions. - Cover Photo: Capitol Photo Studio/San Diego Zoo Liner Photos: Tokyo, Japan ℗© 2001 Capitol Records, Inc. Manufactured by Capitol Records, Inc. Printed in Brazil”

Capitol Records

calendar_today1966Europe

“Packaged in a standard jewel case with a black tray. 8 page booklet contains artwork and photography from the original release, liner notes from March, 1990 and a note on the HDCD transfer process. Tracks 6 and 7 are miscredited to "Brain Wilson". [Rear Insert:] ℗ 2000 Capitol Records, Inc. © 2000 Capitol Records, Inc. Printed in the EU. [Disc Label:] Made in EU [Booklet:] PET SOUNDS originally released on 5/16/66 (Capitol 5610). Similar releases: [r=371314] - glass mastered and pressed by EMI Uden [r=12592614] - glass mastered by EMI Uden, pressed by Mediamotion [r=6963070] - manufactured by EMI UK [r=6931220] - manufactured by www.imsgroup.it [r=8893772] - manufactured by www.takt.eu”

Capitol Records

calendar_today1966Europe

“Track 1: Music recorded at Goldstar Studios on 1/22/66. Vocals added on 3/10/66 and 4/11/66. Track 2: Music and vocals recorded at Western Studios on 1/24/66. Track 3: Music and vocals recorded at Western Studios on 2/15/66. Track 4: Music and vocals recorded at Western Studios on 4/3/66. Track 5: Music recorded at Western Studios on 3/6/66. Vocals added on 3/10/66. Track 6: Recorded at Western Studios on 1/15/66. Track 7: Music recorded at Western Studios on 7/12/65. Vocals added on 12/22/65. Track 8: Music recorded at Western Studios on 3/9/66. Vocals added on 3/10/66 and 4/11/66. Track 9: Music and vocals recorded at Western Studios on 2/9/66. New vocals recorded during March 1966. Track 10: Music recorded at Sunset Sound Studios on 3/10/66. Vocals added on 3/25/66. Track 11: Music recorded at Gold Star Studios on 2/14/66. Vocals added on 3/10/66 and 4/13/66. Track 12: Recorded at Western Studios on 11/17/65. Track 13: Music and vocals recorded at Western Studios on 1/31/66.”

Capitol Records

calendar_today1966Europe

“Packaged in a standard jewel case with a black tray. 8 page booklet contains artwork and photography from the original release, liner notes from March, 1990 and a note on the HDCD transfer process. Tracks 6 and 7 are miscredited to "Brain Wilson". All tracks published by Rondor Music (Ldn) Ltd except track 7 EMI United Partnership Ltd. [Rear Insert:] ℗ 2000 ... Capitol Records, Inc. © 2000 Capitol Records, Inc. Printed in the EU. [Disc Label:] Made in EU [Booklet:] PET SOUNDS originally released on 5/16/66 (Capitol 5610). Similar releases: [r=371314] - glass mastered and pressed by EMI Uden [r=12592614] - glass mastered by EMI Uden, pressed by Mediamotion [r=6963070] - manufactured by EMI UK [r=6931220] - manufactured by www.imsgroup.it [r=11188201] - made by EDC, Germany”

Capitol Records

calendar_today1966United Kingdom

Capitol Records

calendar_today1966Sweden

“Made in Sweden / Printed in Sweden”

Capitol Records

calendar_today1966United States

“First 8 track release, black cartridge variant. Does not include the song “Pet Sounds” on this release.”

Capitol Records

calendar_today1966Canada

Capitol Records

calendar_today1966United States

“Program I: 18:30 Program II: 16:31”

Capitol Records

calendar_today1966United States

“Does not include the song “Pet Sounds”. Late 60s reissue.”

Capitol Records

calendar_today1966United States

“Reprocessed for Duophonic (Capitol 2-channel simulated stereo)”

Capitol Records

calendar_today1966Canada

“A Capitol Reissue. Manufactured by Columbia House, a div. of CBS Records Canada, Ltd. Under License from Capitol Records, Inc. Printed in Canada.”

Capitol Records

calendar_today1966United States

“Beige shells with a grid-like pattern in the label surround areas. Another similar version exists with clear tape shells. [r=23116127]”

Capitol Records

calendar_today1966Netherlands

“Printed in Holland DOLBY SYSTEM”

Capitol Records

calendar_today1966New Zealand

“Grey cassette shell with white label and black text. Four visible screws on one side of the shell. Standard J-Card. CHEVRON Made in N.Z. for L.D. NATHAN LTD 450 QUEEN STREET, AUCKLAND (P) 1971 Capitol Records, Inc., P. 1971 Capital Records, Inc. __________ Notes, Capitol Records is incorrectly spelled Capital Records on j-card. Correctly on cassette label. _____ Likely date 1979. Matches with other releases on this label in NZ.”

Capitol Records

calendar_today1966United Kingdom

“2 panel inlay. Clear cassette with silver slip sheets and on-body print. Made and printed in the UK. [r8000541] is a slightly earlier reissue with a tinted clear cassette without slip sheets.”

Capitol Records

calendar_today1966United States

“First 8 track release. Does not include the song “Pet Sounds” on this release.”

Capitol Records / Fame / EMI

calendar_today1966United Kingdom

“2 panel inlay printed both side. Grey cassette with blue on-body print.”

Capitol Records

calendar_today1966United Kingdom

Capitol Records

calendar_today1966United States

Capitol Records

calendar_today1967United States

“Duplicated by Muntz Stereo-Pak. Capitol Records, Hollywood and Vine, Hollywood, Calif.”

Capitol Records / Playtape

calendar_today1967United States

Capitol Records / Playtape

calendar_today1967United States

“White Label with Black Print.”

Capitol Records

calendar_today1968United States

“℗ 1966 Capitol Records. First U.S. cassette issue, released as 4XT 2458. This release lists the first 25 cassette releases on the inlay. Later re-issued under the same catalogue number, altering the word stacking on the front cover and replacing "CASSETTE" under the Capitol logo with "STEREO CASSETTE".”

Capitol Records

calendar_today1968United States

“℗ 1966 Capitol Records. U.S. cassette issue released as 4XT 2458. The inlay card on this issue lists a total 43 releases of Capitol Records' repertoire on cassette. A printed sticker is added to one side of the Norelco style case. "STEREO CASSETTE Playable on stereo or monaural equipment" is written on the front of the inlay card whereas just "CASSETTE" is written on the cassette labels.”

Capitol Records

calendar_today1973United Kingdom

Capitol Records

calendar_todayJul 1973United Kingdom

“2 panel inlay with 'gold' backing. Grey cassette with green paper labels. Made and printed in Great Britain.”

Capitol Records

calendar_todayJul 1973United Kingdom

“2 panel inlay with 'gold' backing. Black cassette with green paper labels. Made and printed in Great Britain.”

Capitol Records

calendar_today1966Europe

“Repress of [r1430770] Individual credits for tracks CD-1 to CD-13 (and CD-15 to CD-27) apply also to tracks DVD-8 and DVD-9. Double-disc jewel-case release commemorating the 40th anniversary of the original release. 16-bit Stereo Mixes (CD) at Your Place Or Mine Recording Studios, Glendale, CA, January-February 1996 (originally released November 4, 1997 on "THE PET SOUNDS SESSIONS" box set). Mono Bonus Track (CD) Mixed at Capitol Mastering Studios, Hollywood, CA, December 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. Hi-Res PCM Stereo Mix (DVD) Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2002 using the HDCD process. Surround Mix (DVD) Mixed at Your Place Or Mine Recording Studios, Glendale, CA, April-July 2002. Surround Mastered at Future Disc, Hollywood, CA, 2002. Hi-Res PCM Mono Bonus Track Remastered at Your Place Or Mine Recording Studios, Glendale, CA, November 2005. DVD Authoring & Design: Abbey Road Interactive. PET SOUNDS Originally released in 1966 on Capitol as T-2458. ℗ 2006 Capitol Records, Inc. © Capitol Records, Inc. Printed in the EU. MADE IN THE EU”

Capitol Records

calendar_today2003United States

“This disc plays five ways: Advanced Resolution Surround, Advanced Resolution Stereo, Advanced Resolution Mono, DTS 5.1 Surround Sound, and DVD-Video Compatible Dolby Digital 5.1 Track 14: Unused intro for "Don't Talk (Put Your Head On My Shoulder)"”

Capitol Records

calendar_todayJul 22, 2003United States

“Double-sided disc, one side states 'DVD-Audio' while the other side states 'DVD-Video'. Comes in a jewel case and includes a 28-page booklet containing extensive credits on each track and photos. Some copies came with a green hype sticker. Remastered using the HDCD process. This disc plays five ways: Advanced Resolution Surround, Advanced Resolution Stereo, Advanced Resolution Mono, DTS 5.1 Surround Sound, DVD-Video Compatible Dolby Digital 5.1 Track 14: Unused intro for "Don't Talk (Put Your Head On My Shoulder)"”

Capitol Records

calendar_todayJul 22, 2003United Kingdom

“Pet Sounds reissue art: © 2001 Capitol Records, Inc. All tracks Ⓟ 2001, 2003 Capitol Records, Inc. Ⓟ 2003 The copyright in this sound recording is owned by Capitol Records, Inc. © Capitol Records, Inc. This disc plays five ways: Advanced Resolution Surround (24bit/96KHz), Advanced Resolution Stereo (24bit/96KHz), Advanced Resolution Mono (24bit/96KHz), DTS 5.1 Surround Sound, and DVD-Video Compatible Dolby Digital 5.1 The disc is double-sided with the DVD-Audio content on one side and DVD-Video content on the other”

Capitol Records

calendar_today2006Argentina

Capitol Records

calendar_today2006Japan

“Originally released in 1966 on Capitol as T-2458. This compilation ℗ © 2006 Capitol Records, Manufactured by Capitol Records, Inc., 1750 Vine Street, Hollywood, California 90028. TOCP-70078 MADE IN JAPAN”

Capitol Records

calendar_today2006Japan

“Originally released in 1966 on Capitol as T-2458. Made in EU. Limited Edition. Fuzzy Green Case”

Capitol Records

calendar_today2006Mexico

“2CD jewelcase with 28 page booklet.”

Capitol Records

calendar_today2006United States

“Originally released in 1966 on Capitol as T-2458. Discs housed in velour-covered green case with a 28 page booklet with photos and notes regarding sessions and tracks.”

Capitol Records / EMI

calendar_today2006Canada

“Includes booklet. CD features album in original mono with Bonus track, followed by the stereo version. DVD Audio includes: -Album program in H-Res 96kHz/24-bit PCM Stereo. -Album program in Dolby Digital 5.1 Surround Sound. -"Hang On To Your Ego" in Hi-Res 96 kHz/24-bit PCM Mono. DVD Video includes: -The Making of "Pet Sounds" (new edit of 1997 promotional material plus previously unseen footage). -Pet Stories (new edit of interview material from "Brian Wilson Presents Pet Sounds Live In London", 2003. -Rhythm of Life: Sir George Martin & Brian Wilson in the studio (previously unreleased). -Original 1966 promotional films: "Good Vibrations (previously unreleased), "Sloop John B", Pet Sounds. -God Only Knows (photo gallery)”

Capitol Records / EMI

calendar_today2006Brazil

“Packaged in regular double jewel case.”

Capitol Records

calendar_today2006United States

“Originally released in 1966 on Capitol as T-2458. Fuzzy Green Case”

Capitol Records

calendar_todayAug 29, 2006United States

“Limited edition Fuzzy Package with 28 page booklet attached. 16-bit Stereo Mixes (CD) Produced and Engineered by Mark Linett at Your Place Or Mine Recording Studios, Glendale, CA, January-February 1996 under the supervision of Brian Wilson (originally released November 4, 1997 on The Pet Sounds Sessions box set). Mono Bonus Track (CD) Mixed by Larry Walsh and Mark Linett at Capitol Mastering Studios, Hollywood, CA, December 1987. Remastered by Joe Gastwirt at Oceanview Digital Mastering, Los Angeles, CA 2000 using the HDCD process. Audio supervision by Mark Linett. Surround Mix (DVD) Produced and Engineered by Mark Linett under the supervision of Brian Wilson. Mixed at Your Place Or Mine Recording Studios, Glendale, CA, April-July 2002. Surround Mastered by Steve Hall and Joe Gastwirt at Future Disc, Hollywood, CA, 2002. Hi-Res PCM Mono Bonus Track Remastered by Mark Linett at Your Place Or Mine Recording Studio, Glendale, CA, November 2005. Pet Sounds originally released in 1966 on Capitol as T-2458.”

Capitol Records

calendar_todayAug 29, 2006Europe

“Individual credits for tracks CD-1 to CD-13 (and CD-15 to CD-27) apply also to tracks DVD-8 and DVD-9. Double-disc jewel-case release commemorating the 40th anniversary of the original release. 16-bit Stereo Mixes (CD) at Your Place Or Mine Recording Studios, Glendale, CA, January-February 1996 (originally released November 4, 1997 on "THE PET SOUNDS SESSIONS" box set). Mono Bonus Track (CD) Mixed at Capitol Mastering Studios, Hollywood, CA, December 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. Hi-Res PCM Stereo Mix (DVD) Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2002 using the HDCD process. Surround Mix (DVD) Mixed at Your Place Or Mine Recording Studios, Glendale, CA, April-July 2002. Surround Mastered at Future Disc, Hollywood, CA, 2002. Hi-Res PCM Mono Bonus Track Remastered at Your Place Or Mine Recording Studios, Glendale, CA, November 2005. DVD Authoring & Design: Abbey Road Interactive. PET SOUNDS Originally released in 1966 on Capitol as T-2458. ℗ 2006 Capitol Records, Inc. © Capitol Records, Inc. Printed in the EU. MADE IN THE EU”

Capitol Records

calendar_todayAug 29, 2006Europe

“Individual credits for tracks CD-1 to CD-13 (and CD-15 to CD-27) apply also to tracks DVD-8 and DVD-9. Double-disc jewel-case release commemorating the 40th anniversary of the original release. 16-bit Stereo Mixes (CD) at Your Place Or Mine Recording Studios, Glendale, CA, January-February 1996 (originally released November 4, 1997 on "THE PET SOUNDS SESSIONS" box set). Mono Bonus Track (CD) Mixed at Capitol Mastering Studios, Hollywood, CA, December 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. Hi-Res PCM Stereo Mix (DVD) Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2002 using the HDCD process. Surround Mix (DVD) Mixed at Your Place Or Mine Recording Studios, Glendale, CA, April-July 2002. Surround Mastered at Future Disc, Hollywood, CA, 2002. Hi-Res PCM Mono Bonus Track Remastered at Your Place Or Mine Recording Studios, Glendale, CA, November 2005. DVD Authoring & Design: Abbey Road Interactive. PET SOUNDS Originally released in 1966 on Capitol as T-2458. ℗ 2006 Capitol Records, Inc. © Capitol Records, Inc. Printed in the EU. MADE IN THE EU”

Capitol Records

calendar_todayAug 29, 2006United States

Capitol Records

calendar_todayAug 29, 2006Europe

“16-bit Stereo Mixes (CD) produced and engineered at Your Place Or Mine Recording Studios, Glendale, CA. Originally released November 4, 1997 on The Pet Sounds Sessions box set. Mono Bonus Track (CD) mixed at Capitol Mastering Studios, Hollywood, CA, December 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. Hi-Res PCM Stereo Mix remastered at Oceanview Digital Mastering, Los Angeles, CA, 2002 using the HDCD process. Surround Mix (DVD) mixed at Your Place Or Mine Recording Studios, Glendale, CA, April-July 2002. Surround mastered at Future Disc, Hollywood, CA, 2002. Hi-Res PCM Mono Bonus Track remastered at Your Place Or Mine Recording Studios, Glendale, CA, November 2005. CD: Tracks 1-13 are the original Mono masters. Track 14 is in Mono, mixed from the original four-track master tape. Tracks 15-27 are in Stereo, remixed from the original three-track, four-track and eight-track master tapes. DVD: Audio album program is featured in both High Resolution PCM Stereo and Dolby Digital 5.1 Surround Sound. Bonus audio tracks is featured in High Resolution PCM Mono only. Video clips are presented in Stereo playback only. Tracks CD1 & CD15 - Instrumental track recorded Jan. 22, 1965 at Gold Star Recording Studios, Hollywood, CA. Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA. Released July 18, 1966 as Capitol single 5706. Tracks CD2 & CD16 - Instrumental track recorded Nov. 1, 1966 at Western Recorders, Hollywood, CA. Instrumental introduction recorded Jan. 24, 1966 at Western Recorders, Hollywood, CA. Vocals recorded January-February 1966 at Western Recorders, Hollywood, CA. Tracks CD3 & CD17 - Basic track recorded Feb. 15, 1966 at Western Recorders, Hollywood, CA. Additional instrumentation recorded February or March 1966 at Western Recorders, Hollywood, CA. Vocals recorded February or March 1966 at Western Recorders, Hollywood, CA. Tracks CD4 & CD18 - Instrumental track and lead vocal recorded Feb. 11, 1966 at Western Recorders, Hollywood, CA. String overdub recorded April 3, 1966 at Western Recorders, Hollywood, CA. Tracks CD5 & CD19 - Instrumental track and string overdub recorded March 6, 1966 at Western Recorders, Hollywood, CA. Vocals recorded March 1966 at Columbia Studios, Hollywood, CA. Tracks CD6 & CD20 - Recorded Jan. 18, 1966 at Western Recorders, Hollywood, CA. String and flute overdubs recorded Jan. 19, 1966 at Western Recorders, Hollywood, CA. Released Oct. 10, 1966 as the B-side of Capitol single 5676 (Good Vibrations). Tracks CD7 & CD21 - Instrumental track recorded July 12, 1965 at Western Recorders, Hollywood, CA. Vocals recorded Dec. 22, 1965 at Western Recorders, Hollywood, CA. New lead vocals and 12-string electric guitar overdub recorded Dec. 29, 1965 at Western Recorders, Hollywood, CA. High harmony lead and additional backing vocals recorded January 1966 at Western Recorders, Hollywood, CA. Released March 21, 1966 as Capitol single 5602. Tracks CD8 & CD22 - Instrumental track recorded March 10, 1966 at Western Recorders, Hollywood, CA. Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA. Released July 18, 1966 as the B-side of Capitol single 5706 (Wouldn't It Be Nice). Tracks CD9 & CD23 - Instrumental track recorded Feb. 9, 1966 at Western Recorders, Hollywood, CA. Vocals recorded February-March 1966 at Western Recorders, Hollywood, CA. Tracks CD10 & CD24 - Instrumental track recorded March 11, 1966 at Sunset Sound, Hollywood, CA. Vocals recorded March 25, 1966 at Columbia Studios, Hollywood, CA. Tracks CD11 & CD25 - Instrumental track recorded Feb. 14, 1966 at Gold Star Recording Studios, Hollywood, CA. Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA. Tracks CD12 & CD26 - Recorded Nov. 17, 1965 at Western Recorders, Hollywood, CA. Tracks CD13 & CD27 - Recorded Jan. 31, 1966 at Western Recorders, Hollywood, CA. Released March 7, 1966 as Capitol single 5610 (by Brian Wilson). Track CD14 - Recorded Feb. 9, 1966 at Western Recorders, Hollywood, CA. Mixed from the original four-track master tape at Capitol Mastering Studios, Hollywood, CA, December 1987. DVD Authoring & Design: Abbey Road Interactive. DVD1 - New edit of material previously featured in the 1997 promotional piece The Pet Sounds Sessions Documentary and Endless Harmony plus previously unseen footage. © 2006 Capitol Records, Inc./Brother Records, Inc. DVD2 - New edit of interview material from Brian Wilson Presents Pet Sounds Live In London. © 2006 Brian Wilson Tours, Inc., under exclusive license to Sanctuary Records group Ltd. Courtesy of Brian Wilson Tours, Inc./Sanctuary Records group Ltd. DVD3 - Excerpt from the BBC TV Show Rhythm Of Life Presented By George Martin; previously unreleased. © BBC. Footage courtesy of BBC Worldwide. DVD4 - Original 1966 promotional film; previously unreleased. © 2006 Brian Wilson. Courtesy of Brian Wilson. DVD5 - Original 1966 promotional film. © 2003 Capitol Records, Inc. DVD6 - Original 1966 promotional film. © 2003 Capitol Records, Inc. DVD7 - Photo gallery originally featured in Endless Harmony. © 2003 Capitol Records, Inc./Brother Records, Inc. Video material approximate running time: 53 minutes. In fuzzy gatefold digipak packaging commemorating 40th anniversary of the original release. Pet Sounds originally released in 1966 on Capitol as T-2458. Pet Sounds original album art © 1966 Capitol Records, Inc. CD tracks 1-13 ℗ 2006, Capitol Records, Inc. CD tracks 14-27 ℗ 2001 Capitol Records, Inc. All DVD audio tracks ℗ 2003 Capitol Records, Inc. except Hang On To Your Ego ℗ 2006 Capitol Records, Inc. This compilation ℗ © 2006 Capitol Records, Inc. Printed in the U.S.A.”

Capitol Records

calendar_today2006United States

“CDr/DVDr Capitol Records Advance of the U.S. Pet Sounds 40th Anniversary Edition CD/DVD-release. Comes in a slim line double CD case with insert and inlay card. All discs are acetate burns with custom printing on them. Tracklisting is printed on the inlay care along with U.S. Publicity contacts. This compilation ℗© 2006 Capitol Records, Inc. Manufactured by Capitol Records, Inc. Licensed for promotional use only. This disc has not been sold.”

Eagle Vision / Universal Music Group

calendar_today2016United States

“94 min. An Eagle Rock Film Production for Eagle Rock Entertainment”

Eagle Vision / Universal Music Group

calendar_today2016Europe

“Subtitles English, Deutsch, Francais, Espanol, Italiano, Português DVD9 16:9”

Capitol Records

calendar_todayJun 10, 2016Europe

“Back Cover: Universal International Music B.V., Gerrit van der Veenlaan 4, 3743 DN, Baarnn Netherlands. BIEM/SDRM. Made in Poland. All discs state: Made in the E.U. A UNIVERSAL MUSIC COMPANY ℗© 2016 Capitol Records, LLC, 1750 N, Vine Street, Hollywood, CA 90028 - U.S.A. Distributed by Universal Music Distribution. All rights reserved. B0024731-00 ------------------------------------------------------------------------- SESSIONOGRAPHY • The Beach Boys' PET SOUNDS album originally was released on May 16, 1966, as Capitol album T-2458. Wouldn't It Be Nice Lead Vocals: Brian on the verses, Mike on the bridge (mono mix only) • Instrumental track recorded Jan. 22, 1966 at Gold Star Recording Studios, Hollywood, CA; Engineered by Larry Levine • Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin • Released July 18, 1966 as Capitol single 5706 SESSION MUSICIANS: Drums: Hal Blaine Bells, Tympani, Percussion: Frank Capp String Bass: Lyle Ritz Electric Bass: Carol Kaye Dano Bass: Ray Pohlman Guitars: Barney Kessel, Jerry Cole, Bill Pitman Piano: Al de Lory Tack Piano: Larry Knechtel Accordions: Carl Fortina, Frank Marocco Tenor Saxophones: Steve Douglas, Plas Johnson Baritone Saxophone: Jay Migliori Trumpet: Roy Caton ------------------------------- You Still Believe In Me Lead Vocal: Brian • Instrumental track recorded Oct. 14, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Instrumental introduction recorded Jan. 24, 1966 at Western Recorders, Hollywood, CA • Vocals recorded January-February 1966 at Western Recorders, Hollywood, CA SESSION MUSICIANS: Drums, Bicycle Horn: Hal Blaine Tympani, Bicycle Bell: Julius Wechter String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Glen Campbell, Barney Kessel Harpsichord: Al de Lory Piano: Steve Douglas Bass Clarinet: Jay Migliori Clarinets: Bill Green, Jim Horn, Plas Johnson ------------------------------- That's Not Me • Lead Vocal: Mike on the verses (with Mike and Brian on the choruses) Basic track recorded Feb. 15, 1966 at Western Recorders, Hollywood, CA; • Engineered by Chuck Britz Vocals recorded February or March 1966 at Western Recorders, Hollywood, CA SESSION MUSICIANS: Drums: Dennis Wilson Guitar: Carl Wilson Organ: Brian Wilson OVERDUB SESSION MUSICIANS / LATER DATE: Electric Bass, Dano Bass: Brian Wilson 12-string Electric Guitar: Carl Wilson Percussion: Hal Blaine ------------------------------- Don't Talk (Put Your Head On My Shoulder) Lead Vocal: Brian • Instrumental track and lead vocal recorded Feb. 11, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • String overdub recorded April 3, 1966 at Western Recorders, Hollywood, CA; Engineered by H. Bowen David SESSION MUSICIANS: Drums: Hal Blaine Piano: Steve Douglas Vibraphone, Tympani: Frank Capp String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Glen Campbell, Billy Strange Organ: Al de Lory OVERDUB SESSION MUSICIANS: Violins: Arnold Belnick, Ralph Schaeffer, Sid Sharp, Tibor Zelig Viola: Norman Botnick Cello: Joseph Saxon ------------------------------- I'm Waiting For The Day Lead Vocal: Brian • Instrumental track and string overdub recorded March 6, 1966 at Western Recorders, Hollywood, CA; Engineered by H. Bowen David • Vocals recorded March 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin SESSION MUSICIANS: Drums: Jim Gordon Tympani, Bongos: Gary Coleman Electric Bass: Ray Pohlman String Bass: Lyle Ritz Guitar: Carol Kaye Tack Piano: Al de Lory Organ: Larry Knechtel Flutes: Bill Green, Jim Horn, Jay Migliori English Horn: Leonard Hartman OVERDUB SESSION MUSICIANS: Violins: William Kurasch, Leonard Malarsky, Ralph Schaeffer, Sid Sharp Viola: Harry Hyams Cello: Justin DiTullio String Bass: Lyle Ritz ------------------------------- Let's Go Away For Awhile • Instrumental • Recorded Jan. 18, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • String and flute overdubs recorded Jan. 19, 1966 at Western Recorders, Hollywood, CA • Released Oct. 10, 1966 as the B-side of Capitol single 5676 (Good Vibrations) SESSION MUSICIANS: Drums: Hal Blaine Tympani, Vibraphone: Julius Wechter String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Al Casey, Barney Kessel Piano: Al de Lory Alto Saxophone: Jim Horn Tenor Saxophones: Steve Douglas, Plas Johnson Baritone Saxophone: Jay Migliori Trumpet: Roy Caton OVERDUB SESSION MUSICIANS: Violins: Arnold Belnick, James Getzoff, William Kurasch, Leonard Malarsky, Jerome Reisler, Ralph Schaeffer, Sid Sharp, Tibor Zelig Viola: Joseph DiFiore, Harry Hyams Celli: Justin DiTullio, Joseph Saxon Flutes: Steve Douglas, Jules Jacob ------------------------------- Sloop John B. Lead Vocal: Brian and Mike • Instrumental track recorded July 12, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Vocals recorded Dec. 22, 1965 at Western Recorders, Hollywood, CA • New lead vocals and 12-string electric guitar overdub recorded Dec. 29, 1965 at Western Recorders, Hollywood, CA • Released March 21, 1966 as Capitol single 5602 SESSION MUSICIANS: Drums: Hal Blaine Temple Blocks: Steve Douglas Tambourine: Tony String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Al Casey, Jerry Cole, Billy Strange Tack Piano: Al de Lory Glockenspiel: Frank Capp Flutes: Jay Migliori, Jim Horn Bass Saxophone: Jack Nimitz OVERDUB SESSION MUSICIANS: 12-string Electric Guitar: Billy Strange ------------------------------- God Only Knows Lead Vocal: Carl (with Brian & Bruce on the tag) • Instrumental track recorded March 10, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin • Released July 18, 1966 as the B-side of Capitol single 5706 (Wouldn't It Be Nice) SESSION MUSICIANS: Drums, Sleighbells: Hal Blaine Percussion: Jim Gordon Tambourine: Terry Melcher String Bass: Lyle Ritz Electric Bass: Ray Pohlman Guitar: Carol Kaye Tack Piano: Don Randi Harpsichord: Larry Knechtel Accordions: Carl Fortina, Frank Marocco Clarinet, Bass Clarinet: Leonard Hartman Clarinet: Jay Migliori Flutes: Bill Green, Jim Horn French Horn: Alan Robinson Violins: Leonard Malarsky, Sid Sharp Viola: Darrel Terwilliger Cello: Jesse Erlich ------------------------------- I Know There's An Answer Lead Vocal: Mike & Alan (with Brian on the choruses) • Instrumental track recorded Feb. 9, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Vocals recorded February-April 1966 at Western Recorders, Hollywood, CA SESSION MUSICIANS: Tympani: Hal Blaine Tambourines: Julius Wechter String Bass: Lyle Ritz Electric Bass: Ray Pohlman Guitars: Glen Campbell, Barney Kessel Tack Piano: Al de Lory Organ: Larry Knechtel Bass Harmonica: Tommy Morgan Flutes: Paul Horn, Jim Horn Clarinets: Steve Douglas, Bobby Klein Bass Clarinet: Jay Migliori OVERDUB SESSION MUSICIANS: Banjo: Glen Campbell ------------------------------- Here Today Lead Vocal: Mike • Instrumental track recorded March 11, 1966 at Sunset Sound, Hollywood, CA; Engineered by Bruce Botnick • Vocals recorded March 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin SESSION MUSICIANS: Drums: Nick Martinis Tambourine: Frank Capp String Bass: Lyle Ritz Electric Bass: Ray Pohlman Guitars: Al Casey, Mike Deasy Tack Piano: Don Randi Organ: Larry Knechtel Baritone Saxophones: Jay Migliori, Jack Nimitz Bass Trombones: Gail Martin, Ernie Tack ------------------------------- I Just Wasn't Made For These Times Lead Vocal: Brian • Instrumental track recorded Feb. 14, 1966 at Gold Star Recording Studios, Hollywood, CA; Engineered by Larry Levine • Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin SESSION MUSICIANS: Drums, Tympani: Hal Blaine Temple Blocks, Cups: Frank Capp String Bass: Chuck Berghofer Electric Bass: Ray Pohlman Guitars: Glen Campbell, Barney Kessel Tack Piano: Don Randi Harpsichord: Mike Melvoin Electro-Theremin: Paul Tanner Bass Harmonica: Tommy Morgan Piccolo: Plas Johnson Clarinets: Steve Douglas, Bobby Klein Bass Clarinet: Jay Migliori ------------------------------- Pet Sounds • Instrumental • Recorded Nov. 17, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz SESSION MUSICIANS: Drums: Ritchie Frost Percussion: Ritchie Frost, Bill Green, Plas Johnson String Bass: Lyle Ritz Electric Bass: Carol Kaye Acoustic Guitar: Tommy Tedesco Electric Guitars: Jerry Cole, Billy Strange Piano: Brian Wilson Alto Saxophone: Bill Green Tenor Saxophone: Plas Johnson Baritone Saxophone: Jay Migliori Trumpet: Roy Caton ------------------------------- Caroline No Vocal: Brian • Recorded Jan. 31, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Released March 7, 1966 as Capitol single 5610, (credited to Brian Wilson) SESSION MUSICIANS: Percussion: Hal Blaine Vibraphone: Frank Capp Tambourine: Steve Douglas String Bass: Lyle Ritz Guitars: Carol Kaye, Glen Campbell, Barney Kessel Harpsichord: Al de Lory Flutes: Bill Green, Jim Horn, Plas Johnson, Jay Migliori OVERDUB SESSION MUSICIANS: Drums: (in vamp) Hal Blaine Dano Bass: Carol Kaye Harpsichord: Al de Lory Alto Saxophone: Steve Douglas ------------------------------- Trombone Dixie (Brian Wilson) • Unused backing track • Recorded Nov. 1, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz SESSION MUSICIANS: Drums: Hal Blaine Tympani: Jerry Williams Latin Percussion, Vibraphone: Julius Wechter Tambourine: Ron Swallow String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Barney Kessel, Jerry Cole, Billy Strange Tack Piano: Don Randi Alto Saxophone: Steve Douglas Bass Saxophone: Jay Migliori Trumpet: Roy Caton Trombone: James Henderson Bass Trombone: Lew McCreary ------------------------------- Summer Means New Love (Brian Wilson) • Instrumental • Basic track recorded May 12, 1965; Studio and engineer unknown • Lead guitar overdub recorded June 1 at Columbia Studios, Hollywood, CA; Engineer unknown SESSION MUSICIANS: Drums: Hal Blaine Electric Bass: Carol Kaye Vibraphone: Frank Capp Rhythm Guitar: Billy Strange Piano: Brian Wilson French Horn: William Hinshaw Tenor Saxophone: Steve Douglas Baritone Saxophone: Jay Migliori Violins: Sid Sharp, Arnold Belnick, Israel Baker, James Getzoff, Leonard Malarsky, Bernard Kundell, Ralph Schaeffer, Tibor Zelig Violas: Harry Hyams, Joseph DiFiore OVERDUB SESSION MUSICIANS: Lead Guitar: Tommy Tedesco”

Capitol Records

calendar_todayJun 10, 2016United States

“A UNIVERSAL MUSIC COMPANY ℗© 2016 Capitol Records, LLC, 1750 N, Vine Street, Hollywood, CA 90028 - U.S.A. Distributed by Universal Music Distribution. All rights reserved. B0024731-00 ------------------------------------------------------------------------- SESSIONOGRAPHY • The Beach Boys' PET SOUNDS album originally was released on May 16, 1966, as Capitol album T-2458. Wouldn't It Be Nice Lead Vocals: Brian on the verses, Mike on the bridge (mono mix only) • Intrumental track recorded Jan. 22, 1966 at Gold Star Recording Studios, Hollywood, CA; Engineered by Larry Levine • Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin • Released July 18, 1966 as Capitol single 5706 SESSION MUSICIANS: Drums: Hal Blaine Bells, Tympani, Percussion: Frank Capp String Bass: Lyle Ritz Electric Bass: Carol Kaye Dano Bass: Ray Pohlman Guitars: Barney Kessel, Jerry Cole, Bill Pitman Piano: Al de Lory Tack Piano: Larry Knechtel Accordions: Carl Fortina, Frank Marocco Tenor Saxophones: Steve Douglas, Plas Johnson Baritone Saxophone: Jay Migliori Trumpet: Roy Caton ------------------------------- You Still Believe In Me Lead Vocal: Brian • Intrumental track recorded Oct. 14, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Intrumental introduction recorded Jan. 24, 1966 at Western Recorders, Hollywood, CA • Vocals recorded January-February 1966 at Western Recorders, Hollywood, CA SESSION MUSICIANS: Drums, Bicycle Horn: Hal Blaine Tympani, Bicycle Bell: Julius Wechter String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Glen Campbell, Barney Kessel Harpsichord: Al de Lory Piano: Steve Douglas Bass Clarinet: Jay Migliori Clarinets: Bill Green, Jim Horn, Plas Johnson ------------------------------- That's Not Me • Lead Vocal: Mike on the verses (with Mike and Brian on the choruses) Basic track recorded Feb. 15, 1966 at Western Recorders, Hollywood, CA; • Engineered by Chuck Britz Vocals recorded February or March 1966 at Western Recorders, Hollywood, CA SESSION MUSICIANS: Drums: Dennis Wilson Guitar: Carl Wilson Organ: Brian Wilson OVERDUB SESSION MUSICIANS / LATER DATE: Electric Bass, Dano Bass: Brian Wilson 12-string Electric Guitar: Carl Wilson Percussion: Hal Blaine ------------------------------- Don't Talk (Put Your Head On My Shoulder) Lead Vocal: Brian • Instrumental track and lead vocal recorded Feb. 11, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • String overdub recorded April 3, 1966 at Western Recorders, Hollywood, CA; Engineered by H. Bowen David SESSION MUSICIANS: Drums: Hal Blaine Piano: Steve Douglas Vibraphone, Tympani: Frank Capp String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Glen Campbell, Billy Strange Organ: Al de Lory OVERDUB SESSION MUSICIANS: Violins: Arnold Belnick, Ralph Schaeffer, Sid Sharp, Tibor Zelig Viola: Norman Botnick Cello: Joseph Saxon ------------------------------- I'm Waiting For The Day Lead Vocal: Brian • Instrumental track and string overdub recorded March 6, 1966 at Western Recorders, Hollywood, CA; Engineered by H. Bowen David • Vocals recorded March 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin SESSION MUSICIANS: Drums: Jim Gordon Tympani, Bongos: Gary Coleman Electric Bass: Ray Pohlman String Bass: Lyle Ritz Guitar: Carol Kaye Tack Piano: Al de Lory Organ: Larry Knechtel Flutes: Bill Green, Jim Horn, Jay Migliori English Horn: Leonard Hartman OVERDUB SESSION MUSICIANS: Violins: William Kurasch, Leonard Malarsky, Ralph Schaeffer, Sid Sharp Viola: Harry Hyams Cello: Justin DiTullio String Bass: Lyle Ritz ------------------------------- Let's Go Away For Awhile • Instrumental • Recorded Jan. 18, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • String and flute overdubs recorded Jan. 19, 1966 at Western Recorders, Hollywood, CA • Released Oct. 10, 1966 as the B-side of Capitol single 5676 (Good Vibrations) SESSION MUSICIANS: Drums: Hal Blaine Tympani, Vibraphone: Julius Wechter String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Al Casey, Barney Kessel Piano: Al de Lory Alto Saxophone: Jim Horn Tenor Saxophones: Steve Douglas, Plas Johnson Baritone Saxophone: Jay Migliori Trumpet: Roy Caton OVERDUB SESSION MUSICIANS: Violins: Arnold Belnick, James Getzoff, William Kurasch, Leonard Malarsky, Jerome Reisler, Ralph Schaeffer, Sid Sharp, Tibor Zelig Viola: Joseph DiFiore, Harry Hyams Celli: Justin DiTullio, Joseph Saxon Flutes: Steve Douglas, Jules Jacob ------------------------------- Sloop John B. Lead Vocal: Brian and Mike • Intrumental track recorded July 12, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Vocals recorded Dec. 22, 1965 at Western Recorders, Hollywood, CA • New lead vocals and 12-string electric guitar overdub recorded Dec. 29, 1965 at Western Recorders, Hollywood, CA • Released March 21, 1966 as Capitol single 5602 SESSION MUSICIANS: Drums: Hal Blaine Temple Blocks: Steve Douglas Tambourine: Tony String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Al Casey, Jerry Cole, Billy Strange Tack Piano: Al de Lory Glockenspiel: Frank Capp Flutes: Jay Migliori, Jim Horn Bass Saxophone: Jack Nimitz OVERDUB SESSION MUSICIANS: 12-string Electric Guitar: Billy Strange Historical Note: Al Jardine suggested to Brian that the group cover this Bahamian folk song. While it was not specifically recorded for PET SOUNDS, Capitol Records insisted that the single be included on the album. ------------------------------- God Only Knows Lead Vocal: Carl (with Brian & Bruce on the tag) • Intrumental track recorded March 10, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin • Released July 18, 1966 as the B-side of Capitol single 5706 (Wouldn't It Be Nice) SESSION MUSICIANS: Drums, Sleighbells: Hal Blaine Percussion: Jim Gordon Tambourine: Terry Melcher String Bass: Lyle Ritz Electric Bass: Ray Pohlman Guitar: Carol Kaye Tack Piano: Don Randi Harpsichord: Larry Knechtel Accordions: Carl Fortina, Frank Marocco Clarinet, Bass Clarinet: Leonard Hartman Clarinet: Jay Migliori Flutes: Bill Green, Jim Horn French Horn: Alan Robinson Violins: Leonard Malarsky, Sid Sharp Viola: Darrel Terwilliger Cello: Jesse Erlich ------------------------------- I Know There's An Answer Lead Vocal: Mike & Alan (with Brian on the choruses) • Intrumental track recorded Feb. 9, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Vocals recorded February-April 1966 at Western Recorders, Hollywood, CA SESSION MUSICIANS: Tympani: Hal Blaine Tambourines: Julius Wechter String Bass: Lyle Ritz Electric Bass: Ray Pohlman Guitars: Glen Campbell, Barney Kessel Tack Piano: Al de Lory Organ: Larry Knechtel Bass Harmonica: Tommy Morgan Flutes: Paul Horn, Jim Horn Clarinets: Steve Douglas, Bobby Klein Bass Clarinet: Jay Migliori OVERDUB SESSION MUSICIANS: Banjo: Glen Campbell ------------------------------- Here Today Lead Vocal: Mike • Intrumental track recorded March 11, 1966 at Sunset Sound, Hollywood, CA; Engineered by Bruce Botnick • Vocals recorded March 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin SESSION MUSICIANS: Drums: Nick Martinis Tambourine: Frank Capp String Bass: Lyle Ritz Electric Bass: Ray Pohlman Guitars: Al Casey, Mike Deasy Tack Piano: Don Randi Organ: Larry Knechtel Baritone Saxophones: Jay Migliori, Jack Nimitz Bass Trombones: Gail Martin, Ernie Tack ------------------------------- I Just Wasn't Made For These Times Lead Vocal: Brian • Intrumental track recorded Feb. 14, 1966 at Gold Star Recording Studios, Hollywood, CA; Engineered by Larry Levine • Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin SESSION MUSICIANS: Drums, Tympani: Hal Blaine Temple Blocks, Cups: Frank Capp String Bass: Chuck Berghofer Electric Bass: Ray Pohlman Guitars: Glen Campbell, Barney Kessel Tack Piano: Don Randi Harpsichord: Mike Melvoin Electro-Theremin: Paul Tanner Bass Harmonica: Tommy Morgan Piccolo: Plas Johnson Clarinets: Steve Douglas, Bobby Klein Bass Clarinet: Jay Migliori ------------------------------- Pet Sounds • Intrumental • Recorded Nov. 17, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz SESSION MUSICIANS: Drums: Ritchie Frost Percussion: Ritchie Frost, Bill Green, Plas Johnson String Bass: Lyle Ritz Electric Bass: Carol Kaye Acoustic Guitar: Tommy Tedesco Electric Guitars: Jerry Cole, Billy Strange Piano: Brian Wilson Alto Saxophone: Bill Green Tenor Saxophone: Plas Johnson Baritone Saxophone: Jay Migliori Trumpet: Roy Caton ------------------------------- Caroline No Vocal: Brian • Recorded Jan. 31, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Released March 7, 1966 as Capitol single 5610, (credited to Brian Wilson) SESSION MUSICIANS: Percussion: Hal Blaine Vibraphone: Frank Capp Tambourine: Steve Douglas String Bass: Lyle Ritz Guitars: Carol Kaye, Glen Campbell, Barney Kessel Harpsichord: Al de Lory Flutes: Bill Green, Jim Horn, Plas Johnson, Jay Migliori OVERDUB SESSION MUSICIANS: Drums: (in vamp) Hal Blaine Dano Bass: Carol Kaye Harpsichord: Al de Lory Alto Saxophone: Steve Douglas ------------------------------- Trombone Dixie (Brian Wilson) • Unused backing track • Recorded Nov. 1, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz SESSION MUSICIANS: Drums: Hal Blaine Tympani: Jerry Williams Latin Percussion, Vibraphone: Julius Wechter Tambourine: Ron Swallow String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Barney Kessel, Jerry Cole, Billy Strange Tack Piano: Don Randi Alto Saxophone: Steve Douglas Bass Saxophone: Jay Migliori Trumpet: Roy Caton Trombone: James Henderson Bass Trombone: Lew McCreary ------------------------------- Summer Means New Love (Brian Wilson) • Intrumental • Basic track recorded May 12, 1965; Studio and engineer unknown • Lead guitar overdub recorded June 1 at Columbia Studios, Hollywood, CA; Engineer unknown SESSION MUSICIANS: Drums: Hal Blaine Electric Bass: Carol Kaye Vibraphone: Frank Capp Rhythm Guitar: Billy Strange Piano: Brian Wilson French Horn: William Hinshaw Tenor Saxophone: Steve Douglas Baritone Saxophone: Jay Migliori Violins: Sid Sharp, Arnold Belnick, Israel Baker, James Getzoff, Leonard Malarsky, Bernard Kundell, Ralph Schaeffer, Tibor Zelig Violas: Harry Hyams, Joseph DiFiore OVERDUB SESSION MUSICIANS: Lead Guitar: Tommy Tedesco ------------------------------------------------------------------------- Additional Analog Transfers: Perry Cunningham at Capitol Studios, Hollywood ------------------------------------------------------------------------- Blu-Ray Pure Audio by Sonicpool Authoring: Marcus Ionis Menus: Eliot Gurrin ------------------------------------------------------------------------- Design: Jen Montgomery @ Meat and Potatoes, Inc. ------------------------------------------------------------------------- Thank You: [a2269489], [a4841413], [a2506581], [a4829141], [a2723809], [a1866553], [a1766186], [a1728894], [a13469], [a1626390], [a580950], Jon Stroup, Monty and Bailey Linett, [a97072], Diva Ward, Dave Ickes, Dave Smith & Leon Ellersiek @ Pacific Title, Steve Wengert, Jason Boyd, [a1978298] For Brothers Records: [a665981], [a150883] ------------------------------------------------------------------------- [url=http://www.universalmusicenterprises.com/beachboysthe/releases/detail?id=15353]universalmusicenterprises.com[/url] [url=https://www.thebeachboys.com/]thebeachboys.com[/url] © 2016 Capitol Records, LLC B0024731-00 ------------------------------------------------------------------------- Audio Selection (Blu-ray Disc): PCM Mono: 2.0 Mono 192 kHz/24bit PCM Stereo: 2.0 Stereo 192 kHz/24bit 2.0 Instrumental 192 kHz/24bit 5.1 Surround Mix: DTS-HD Master Audio 96 kHz/24bit Dolby TrueHD 96 kHz/24bit Playback: Region A, B, C ------------------------------------------------------------------------- Previously Unreleased: "Live Recordings" (CD4) CD4 / Tracks 7-11 ℗ 2016 Brother Records Inc. under exclusive license to Capitol Records, LLC ------------------------------------------------------------------------- Spelling Differences in the 48-page Hardbound Book: Sessionography - Sloop John B. Song List - Sloop John B. Back Cover - Sloop John B ------------------------------------------------------------------------- The track durations are not listed in the release.”

Eagle Vision

calendar_todaySep 23, 2016United Kingdom

“94 min. Dts An Eagle Rock Film Production for Eagle Rock Entertainment”

Capitol Records

calendar_today1966Europe

“Repress of [r1430770] Individual credits for tracks CD-1 to CD-13 (and CD-15 to CD-27) apply also to tracks DVD-8 and DVD-9. Double-disc jewel-case release commemorating the 40th anniversary of the original release. 16-bit Stereo Mixes (CD) at Your Place Or Mine Recording Studios, Glendale, CA, January-February 1996 (originally released November 4, 1997 on "THE PET SOUNDS SESSIONS" box set). Mono Bonus Track (CD) Mixed at Capitol Mastering Studios, Hollywood, CA, December 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. Hi-Res PCM Stereo Mix (DVD) Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2002 using the HDCD process. Surround Mix (DVD) Mixed at Your Place Or Mine Recording Studios, Glendale, CA, April-July 2002. Surround Mastered at Future Disc, Hollywood, CA, 2002. Hi-Res PCM Mono Bonus Track Remastered at Your Place Or Mine Recording Studios, Glendale, CA, November 2005. DVD Authoring & Design: Abbey Road Interactive. PET SOUNDS Originally released in 1966 on Capitol as T-2458. ℗ 2006 Capitol Records, Inc. © Capitol Records, Inc. Printed in the EU. MADE IN THE EU”

Capitol Records

calendar_today1966Europe

“50th Anniversary Edition. Standard double jewel case with clear tray & 32-page liner notes booklet. Tracks 2-14 to 2-24 are previously unreleased. Unlike [r=8921831], this version does not have "Sony DADC" in the matrix, which suggests a repress using the same master. [Booklet:] The Beach Boys' 'Pet Sounds' album originally was released on May 16, 1966, as Capitol album T-2458. It entered the Billboard® "Top LPs" chart on May 28, 1966, was on the chart for 39 weeks, and peaked at #10 on July 2, 1966. Wouldn't It Be Nice · Lead Vocals: Brian on the verses, Mike on the bridge (mono mix only) · Intrumental track recorded Jan. 22, 1966 at Gold Star Recording Studios, Hollywood, CA; Engineered by Larry Levine · Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA; Engineered By Ralph Valentin · Released July 18, 1966 at Capitol single 5706 · Entered Billboard® "Hot 100" July 30, 1966; on chart 11 weeks; peaked at #8 Sept. 17, 1966 You Still Believe In Me · Instrumental track recorded Oct. 14, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz · Instrumental introduction recorded Jan. 24, 1966 at Western Recorders, Hollywood, CA · Vocals recorded January-February 1966 at Western Recorders, Hollywood, CA That's Not Me · Lead Vocal: Mike on the verses (with Mike and Brian on the choruses) · Basic track recorded Feb. 15, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz · Vocals recorded February or March 1966 at Western Recorders, CA Don't Talk (Put Your Head On My Shoulder) · Instrumental track and lead vocal recorded Feb. 11, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz · String overdub recorded April 3, 1966 at Western Recorders, Hollywood, CA; Engineered by H. Bowen David I'm Waiting For The Day · Instrumental track and string overdub recorded March 6, 1966 at Western Recorders, Hollywood, CA; Engineered by H. Bowen David · Vocals recorded March 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin Let's Go Away For Awile · Instrumental · Recorded Jan. 18, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz · String and flute overdubs recorded Jan. 19, 1966 at Western Recorders, Hollywood, CA · Released Oct. 10, 1966 as the B-side of Capitol single 5676 (Good Vibrations) Sloop John B. · Instrumental track recorded July 12, 1965 at Western Recorders, Hollywood, CA Engineered by Chuck Britz · Vocals recorded Dec. 22, 1965 at Western Recorders, Hollywood, CA · New lead vocals and 12-string electric guitar overdub recorded Dec. 29, 1965 at Western Recorders, Hollywood, CA · Released March 21, 1966 as Capitol single 5602 · Entered Billboard® "Hot 100" April 2, 1966; on chart 11 weeks; peaked at #3 May 7, 1966 God Only Knows Lead Vocal: Carl (with Brian & Bruce on the tag) · Instrumental track recorded March 10, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz · Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Velantin · Released July 18, 1966 as the B-side of Capitol single 5706 (Wouldn't It Be Nice) · Entered Billboard® "Hot 100" Aug. 12, 1966; on chart 8 weeks; peaked at #39 Sept. 24, 1966 I Know There's An Answer Lead Vocal: Mike & Alan (with Brian on the choruses) · Instrumental track recorded Feb. 9, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz · Vocals recorded February-April 1966 at Western Recorders, Hollywood, CA Here Today · Instrumental track recorded March 11, 1966 at Sunset Sound, Hollywood, CA; Engineered by Bruce Botnick · Vocals recorded March 1966 at Columbia Studios, Hollywood, CA; ENgineered by Ralph Valentin I Just Wasn't Made For These Times · Instrumental track recorded Feb. 14, 1966 at Gold Star Recording Studios, Hollywood, CA; Engineered by Larry Levine · Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin Pet Sounds · Instrumental · Recorded Nov. 17, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz Caroline No · Recorded Jan. 31, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz · Released March 7, 1966 at Capitol single 5610, (credited to Brian Wilson) · Entered Billboard® "Hot 100" March 26, 1966; on chart 7 weeks; peaked at #32 April 30, 1966 Disc 2, Tracks 20-24 ℗ 2016 Brother Records, Inc. under exclusive license to Capitol Records, LLC Engineered, Mixed and Mastered at Your Place or Mine Recordings by Mark Linett Recorded at Western Recorders, Gold Star Studios, Sunset Sound and CBS Recording Studios Live Recordings Engineered by Stephen Desper, Chuck Britz, Jeff Peters, Stephen Moffit and others Additional Analog Transfers: Perry Cunningham at Capitol Studios, Hollywood. Design: Jen Montgomery @ Meat and Potatoes, Inc. Photos: ©Capitol Photo Archives www.udiscovermusic.com thebeachboys.com ℗ © 2016 Capitol Records, LLC. [Back cover, first line in all caps:] A Universal Music Company ℗ 2016 Capitol Records, LLC © 2016 Capitol Records, LLC. Universal International Music B.V., Gerrit Van Der Veenlaan 4, 3743 DN, Baarn, Netherlands. Made in the EU. www.udiscovermusic.com thebeachboys.com”

Happy And Lucky Factory

“1-14 to 1-16 are bonus tracks. Comes in nice card slipcase and includes a small sticker”

Not On Label (The Beach Boys)

“With Cover, Booklet, And Sticker.”

Capitol Records

“Originally released in 1966 on Capitol as T-2458. A Worldwide limited edition yellow/green colored records, as numbered edition of 10,000 copies. An unknown number of the copies were rewrapped and released as a Japanese domestic version, with the same records and sleeve, see [r808944]. The runouts are etched apart from MASTERED BY CAPITOL which is stamped.”

Capitol Records

calendar_today2006United States

“Originally released in 1966 on Capitol as T-2458. Discs housed in velour-covered green case with a 28 page booklet with photos and notes regarding sessions and tracks.”

Capitol Records

calendar_todayAug 29, 2006Japan

“Originally released in 1966. Imported, [Japanese] domestic version. * Japanese hype sticker * Japanese insert with liner notes and dual Eng/Jap language lyrics. Made in EU printed on hype sticker "Worldwide limited edition numbered 2-disc color record": The sleeve and LPs are the same production/release as [r=1366182], numbered from the same series. This Japan reissue edition is on 2 LP vinyls. - sides A/B: Mono version, on yellow coloured vinyl. - sides C/D: Stereo version, on green coloured vinyl. Sticker "Made in Japan" on shrink wrap.”

Capitol Records

calendar_todayAug 29, 2006Europe

“Individual credits for tracks CD-1 to CD-13 (and CD-15 to CD-27) apply also to tracks DVD-8 and DVD-9. Double-disc jewel-case release commemorating the 40th anniversary of the original release. 16-bit Stereo Mixes (CD) at Your Place Or Mine Recording Studios, Glendale, CA, January-February 1996 (originally released November 4, 1997 on "THE PET SOUNDS SESSIONS" box set). Mono Bonus Track (CD) Mixed at Capitol Mastering Studios, Hollywood, CA, December 1987. Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process. Hi-Res PCM Stereo Mix (DVD) Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2002 using the HDCD process. Surround Mix (DVD) Mixed at Your Place Or Mine Recording Studios, Glendale, CA, April-July 2002. Surround Mastered at Future Disc, Hollywood, CA, 2002. Hi-Res PCM Mono Bonus Track Remastered at Your Place Or Mine Recording Studios, Glendale, CA, November 2005. DVD Authoring & Design: Abbey Road Interactive. PET SOUNDS Originally released in 1966 on Capitol as T-2458. ℗ 2006 Capitol Records, Inc. © Capitol Records, Inc. Printed in the EU. MADE IN THE EU”

Capitol Records

calendar_todayJun 10, 2016Europe

“Back Cover: Universal International Music B.V., Gerrit van der Veenlaan 4, 3743 DN, Baarnn Netherlands. BIEM/SDRM. Made in Poland. All discs state: Made in the E.U. A UNIVERSAL MUSIC COMPANY ℗© 2016 Capitol Records, LLC, 1750 N, Vine Street, Hollywood, CA 90028 - U.S.A. Distributed by Universal Music Distribution. All rights reserved. B0024731-00 ------------------------------------------------------------------------- SESSIONOGRAPHY • The Beach Boys' PET SOUNDS album originally was released on May 16, 1966, as Capitol album T-2458. Wouldn't It Be Nice Lead Vocals: Brian on the verses, Mike on the bridge (mono mix only) • Instrumental track recorded Jan. 22, 1966 at Gold Star Recording Studios, Hollywood, CA; Engineered by Larry Levine • Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin • Released July 18, 1966 as Capitol single 5706 SESSION MUSICIANS: Drums: Hal Blaine Bells, Tympani, Percussion: Frank Capp String Bass: Lyle Ritz Electric Bass: Carol Kaye Dano Bass: Ray Pohlman Guitars: Barney Kessel, Jerry Cole, Bill Pitman Piano: Al de Lory Tack Piano: Larry Knechtel Accordions: Carl Fortina, Frank Marocco Tenor Saxophones: Steve Douglas, Plas Johnson Baritone Saxophone: Jay Migliori Trumpet: Roy Caton ------------------------------- You Still Believe In Me Lead Vocal: Brian • Instrumental track recorded Oct. 14, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Instrumental introduction recorded Jan. 24, 1966 at Western Recorders, Hollywood, CA • Vocals recorded January-February 1966 at Western Recorders, Hollywood, CA SESSION MUSICIANS: Drums, Bicycle Horn: Hal Blaine Tympani, Bicycle Bell: Julius Wechter String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Glen Campbell, Barney Kessel Harpsichord: Al de Lory Piano: Steve Douglas Bass Clarinet: Jay Migliori Clarinets: Bill Green, Jim Horn, Plas Johnson ------------------------------- That's Not Me • Lead Vocal: Mike on the verses (with Mike and Brian on the choruses) Basic track recorded Feb. 15, 1966 at Western Recorders, Hollywood, CA; • Engineered by Chuck Britz Vocals recorded February or March 1966 at Western Recorders, Hollywood, CA SESSION MUSICIANS: Drums: Dennis Wilson Guitar: Carl Wilson Organ: Brian Wilson OVERDUB SESSION MUSICIANS / LATER DATE: Electric Bass, Dano Bass: Brian Wilson 12-string Electric Guitar: Carl Wilson Percussion: Hal Blaine ------------------------------- Don't Talk (Put Your Head On My Shoulder) Lead Vocal: Brian • Instrumental track and lead vocal recorded Feb. 11, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • String overdub recorded April 3, 1966 at Western Recorders, Hollywood, CA; Engineered by H. Bowen David SESSION MUSICIANS: Drums: Hal Blaine Piano: Steve Douglas Vibraphone, Tympani: Frank Capp String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Glen Campbell, Billy Strange Organ: Al de Lory OVERDUB SESSION MUSICIANS: Violins: Arnold Belnick, Ralph Schaeffer, Sid Sharp, Tibor Zelig Viola: Norman Botnick Cello: Joseph Saxon ------------------------------- I'm Waiting For The Day Lead Vocal: Brian • Instrumental track and string overdub recorded March 6, 1966 at Western Recorders, Hollywood, CA; Engineered by H. Bowen David • Vocals recorded March 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin SESSION MUSICIANS: Drums: Jim Gordon Tympani, Bongos: Gary Coleman Electric Bass: Ray Pohlman String Bass: Lyle Ritz Guitar: Carol Kaye Tack Piano: Al de Lory Organ: Larry Knechtel Flutes: Bill Green, Jim Horn, Jay Migliori English Horn: Leonard Hartman OVERDUB SESSION MUSICIANS: Violins: William Kurasch, Leonard Malarsky, Ralph Schaeffer, Sid Sharp Viola: Harry Hyams Cello: Justin DiTullio String Bass: Lyle Ritz ------------------------------- Let's Go Away For Awhile • Instrumental • Recorded Jan. 18, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • String and flute overdubs recorded Jan. 19, 1966 at Western Recorders, Hollywood, CA • Released Oct. 10, 1966 as the B-side of Capitol single 5676 (Good Vibrations) SESSION MUSICIANS: Drums: Hal Blaine Tympani, Vibraphone: Julius Wechter String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Al Casey, Barney Kessel Piano: Al de Lory Alto Saxophone: Jim Horn Tenor Saxophones: Steve Douglas, Plas Johnson Baritone Saxophone: Jay Migliori Trumpet: Roy Caton OVERDUB SESSION MUSICIANS: Violins: Arnold Belnick, James Getzoff, William Kurasch, Leonard Malarsky, Jerome Reisler, Ralph Schaeffer, Sid Sharp, Tibor Zelig Viola: Joseph DiFiore, Harry Hyams Celli: Justin DiTullio, Joseph Saxon Flutes: Steve Douglas, Jules Jacob ------------------------------- Sloop John B. Lead Vocal: Brian and Mike • Instrumental track recorded July 12, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Vocals recorded Dec. 22, 1965 at Western Recorders, Hollywood, CA • New lead vocals and 12-string electric guitar overdub recorded Dec. 29, 1965 at Western Recorders, Hollywood, CA • Released March 21, 1966 as Capitol single 5602 SESSION MUSICIANS: Drums: Hal Blaine Temple Blocks: Steve Douglas Tambourine: Tony String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Al Casey, Jerry Cole, Billy Strange Tack Piano: Al de Lory Glockenspiel: Frank Capp Flutes: Jay Migliori, Jim Horn Bass Saxophone: Jack Nimitz OVERDUB SESSION MUSICIANS: 12-string Electric Guitar: Billy Strange ------------------------------- God Only Knows Lead Vocal: Carl (with Brian & Bruce on the tag) • Instrumental track recorded March 10, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin • Released July 18, 1966 as the B-side of Capitol single 5706 (Wouldn't It Be Nice) SESSION MUSICIANS: Drums, Sleighbells: Hal Blaine Percussion: Jim Gordon Tambourine: Terry Melcher String Bass: Lyle Ritz Electric Bass: Ray Pohlman Guitar: Carol Kaye Tack Piano: Don Randi Harpsichord: Larry Knechtel Accordions: Carl Fortina, Frank Marocco Clarinet, Bass Clarinet: Leonard Hartman Clarinet: Jay Migliori Flutes: Bill Green, Jim Horn French Horn: Alan Robinson Violins: Leonard Malarsky, Sid Sharp Viola: Darrel Terwilliger Cello: Jesse Erlich ------------------------------- I Know There's An Answer Lead Vocal: Mike & Alan (with Brian on the choruses) • Instrumental track recorded Feb. 9, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Vocals recorded February-April 1966 at Western Recorders, Hollywood, CA SESSION MUSICIANS: Tympani: Hal Blaine Tambourines: Julius Wechter String Bass: Lyle Ritz Electric Bass: Ray Pohlman Guitars: Glen Campbell, Barney Kessel Tack Piano: Al de Lory Organ: Larry Knechtel Bass Harmonica: Tommy Morgan Flutes: Paul Horn, Jim Horn Clarinets: Steve Douglas, Bobby Klein Bass Clarinet: Jay Migliori OVERDUB SESSION MUSICIANS: Banjo: Glen Campbell ------------------------------- Here Today Lead Vocal: Mike • Instrumental track recorded March 11, 1966 at Sunset Sound, Hollywood, CA; Engineered by Bruce Botnick • Vocals recorded March 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin SESSION MUSICIANS: Drums: Nick Martinis Tambourine: Frank Capp String Bass: Lyle Ritz Electric Bass: Ray Pohlman Guitars: Al Casey, Mike Deasy Tack Piano: Don Randi Organ: Larry Knechtel Baritone Saxophones: Jay Migliori, Jack Nimitz Bass Trombones: Gail Martin, Ernie Tack ------------------------------- I Just Wasn't Made For These Times Lead Vocal: Brian • Instrumental track recorded Feb. 14, 1966 at Gold Star Recording Studios, Hollywood, CA; Engineered by Larry Levine • Vocals recorded March-April 1966 at Columbia Studios, Hollywood, CA; Engineered by Ralph Valentin SESSION MUSICIANS: Drums, Tympani: Hal Blaine Temple Blocks, Cups: Frank Capp String Bass: Chuck Berghofer Electric Bass: Ray Pohlman Guitars: Glen Campbell, Barney Kessel Tack Piano: Don Randi Harpsichord: Mike Melvoin Electro-Theremin: Paul Tanner Bass Harmonica: Tommy Morgan Piccolo: Plas Johnson Clarinets: Steve Douglas, Bobby Klein Bass Clarinet: Jay Migliori ------------------------------- Pet Sounds • Instrumental • Recorded Nov. 17, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz SESSION MUSICIANS: Drums: Ritchie Frost Percussion: Ritchie Frost, Bill Green, Plas Johnson String Bass: Lyle Ritz Electric Bass: Carol Kaye Acoustic Guitar: Tommy Tedesco Electric Guitars: Jerry Cole, Billy Strange Piano: Brian Wilson Alto Saxophone: Bill Green Tenor Saxophone: Plas Johnson Baritone Saxophone: Jay Migliori Trumpet: Roy Caton ------------------------------- Caroline No Vocal: Brian • Recorded Jan. 31, 1966 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz • Released March 7, 1966 as Capitol single 5610, (credited to Brian Wilson) SESSION MUSICIANS: Percussion: Hal Blaine Vibraphone: Frank Capp Tambourine: Steve Douglas String Bass: Lyle Ritz Guitars: Carol Kaye, Glen Campbell, Barney Kessel Harpsichord: Al de Lory Flutes: Bill Green, Jim Horn, Plas Johnson, Jay Migliori OVERDUB SESSION MUSICIANS: Drums: (in vamp) Hal Blaine Dano Bass: Carol Kaye Harpsichord: Al de Lory Alto Saxophone: Steve Douglas ------------------------------- Trombone Dixie (Brian Wilson) • Unused backing track • Recorded Nov. 1, 1965 at Western Recorders, Hollywood, CA; Engineered by Chuck Britz SESSION MUSICIANS: Drums: Hal Blaine Tympani: Jerry Williams Latin Percussion, Vibraphone: Julius Wechter Tambourine: Ron Swallow String Bass: Lyle Ritz Electric Bass: Carol Kaye Guitars: Barney Kessel, Jerry Cole, Billy Strange Tack Piano: Don Randi Alto Saxophone: Steve Douglas Bass Saxophone: Jay Migliori Trumpet: Roy Caton Trombone: James Henderson Bass Trombone: Lew McCreary ------------------------------- Summer Means New Love (Brian Wilson) • Instrumental • Basic track recorded May 12, 1965; Studio and engineer unknown • Lead guitar overdub recorded June 1 at Columbia Studios, Hollywood, CA; Engineer unknown SESSION MUSICIANS: Drums: Hal Blaine Electric Bass: Carol Kaye Vibraphone: Frank Capp Rhythm Guitar: Billy Strange Piano: Brian Wilson French Horn: William Hinshaw Tenor Saxophone: Steve Douglas Baritone Saxophone: Jay Migliori Violins: Sid Sharp, Arnold Belnick, Israel Baker, James Getzoff, Leonard Malarsky, Bernard Kundell, Ralph Schaeffer, Tibor Zelig Violas: Harry Hyams, Joseph DiFiore OVERDUB SESSION MUSICIANS: Lead Guitar: Tommy Tedesco”