G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner
Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743
1x Vinil 12"Álbum de Estúdio
Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743
G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner
- Data de Lançamento
- Catálogo #
- ZRG 879
- Faixas
- 11
- Duração
- 56:11
Consultando ofertas atuais…
Notas
Similar label colours to Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743 different typesetting
Preços e histórico
Lista de Faixas
Lado A
- A1
No. 2 Comfort Ye (Tenor); No. 3 Ev'ry Valley (Tenor); No. 4 And The Glory Of The Lord (Chorus)
Créditos de No. 2 Comfort Ye (Tenor); No. 3 Ev'ry Valley (Tenor); No. 4 And The Glory Of The Lord (Chorus)
- Compositor
- A2
No. 8 Behold, A Virgin (Contralto); No. 9 O Thou That Tellest (Contralto And Chorus)
Créditos de No. 8 Behold, A Virgin (Contralto); No. 9 O Thou That Tellest (Contralto And Chorus)
- Compositor
- A3
No. 12 For Unto Us A Child Is Born (Chorus)
Créditos de No. 12 For Unto Us A Child Is Born (Chorus)
- Compositor
- A4
No. 16 And Suddenly There Was With The Angel (Soprano); No. 17 Glory To God (Chorus)
Créditos de No. 16 And Suddenly There Was With The Angel (Soprano); No. 17 Glory To God (Chorus)
- Compositor
- A5
No. 18 Rejoice Greatly (Soprano)
Créditos de No. 18 Rejoice Greatly (Soprano)
- Compositor
Lado B
- B1
No. 22 Behold The Lamb Of God (Chorus); No. 23 He Was Despised (Contralto)
Créditos de No. 22 Behold The Lamb Of God (Chorus); No. 23 He Was Despised (Contralto)
- Compositor
- B2
No. 26 All We Like Sheep (Chorus)
Créditos de No. 26 All We Like Sheep (Chorus)
- Compositor
- B3
No. 44 Hallelujah! (Chorus)
Créditos de No. 44 Hallelujah! (Chorus)
- Compositor
- B4
No. 45 I Know That My Redeemer Liveth (Soprano)
Créditos de No. 45 I Know That My Redeemer Liveth (Soprano)
- Compositor
- B5
No. 48 The Trumpet Shall Sound (Bass)
Créditos de No. 48 The Trumpet Shall Sound (Bass)
- Compositor
- B6
No. 53 Worth Is The Lamb (Chorus); Amen (Chorus)
Créditos de No. 53 Worth Is The Lamb (Chorus); Amen (Chorus)
- Compositor
Perguntas sobre os créditos
- Quem produziu Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner?
- Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, foi produzido por Chris Hazell.
- Quem trabalhou como engenheiro em Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner?
- A engenharia de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, foi realizada por Simon Eadon e Stanley Goodall.
- Quem compôs as músicas de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner?
- As composições de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, são creditadas a Georg Friedrich Händel.
Perguntas sobre empresas e locais
- Onde foi gravada a edição de 1977 de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento?
- A edição de 1977 de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento, foi gravada em St. John's, Smith Square.
- Qual empresa prensou a edição de 1977 de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento?
- A edição de 1977 de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento, foi prensada por Decca Record Co. Ltd., Pressing Plant, UK..
- Onde foi masterizada a edição de 1977 de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento?
- A edição de 1977 de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento, foi masterizada em Decca Studios.
- Quem detém os direitos fonográficos da edição de 1977 de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento?
- Os direitos fonográficos da edição de 1977 de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento, pertencem a The Decca Record Company Limited.
- Quem detém os direitos autorais da edição de 1977 de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento?
- Os direitos autorais da edição de 1977 de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento, pertencem a The Decca Record Company Limited.
Créditos e produção
Créditos
16 funções · 17 créditos- Compositor
- Órgão
- Violoncelo
- Trompete
- Produtor
- Engenheiro de Som
- Bass Vocals
- Chorus Master
- Contralto Vocals
- Directed By
- Harpsichord
- Lacquer Cut By
- Leader
- Soprano Vocals
- Tenor Vocals
Empresas e locais
5 empresas · 6 relações- Prensado por
- Copyright fonográfico (p)
- Impresso por
- Gravado em
- Masterizado em
- Direitos autorais (c)
Receba ofertas do seu jeito
Escolha notificações personalizadas, Telegram ou grupos de ofertas de vinil e CD no WhatsApp.