Todas as edições de Symphony No. 4, In F Minor, Op. 36

Tchaikovsky - Boston Symphony Orchestra, Serge Koussevitzky

Symphony No. 4 In F Minor, Op. 36

Tchaikovsky - Boston Symphony Orchestra, Serge Koussevitzky

Symphony No. 4 In F Minor, Op. 36

5x Vinil 10"Álbum de Estúdio

Data de Lançamento: out. de 1949
Ano Original: 1950
País: Estados Unidos
Catálogo #: DM 1318
Faixas: 10

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Symphony No. 4 In F Minor, Op. 36

A
1st Mov. - Andante Sostenuto - Moderato Con Anima
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Créditos
Compositor
Pyotr Ilyich Tchaikovsky
B
1st Mov. - Andante Sostenuto - Moderato Con Anima Cont.
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Créditos
Compositor
Pyotr Ilyich Tchaikovsky
C
1st Mov. - Andante Sostenuto - Moderato Con Anima Cont.
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Créditos
Compositor
Pyotr Ilyich Tchaikovsky
D
1st Mov. - Andante Sostenuto - Moderato Con Anima Concl.
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Créditos
Compositor
Pyotr Ilyich Tchaikovsky
E
2nd Mov. Andantino In Modo Di Canzona
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Créditos
Compositor
Pyotr Ilyich Tchaikovsky
F
2nd Mov. Andantino In Modo Di Canzona Concl.
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Compositor
Pyotr Ilyich Tchaikovsky
G
3rd Mov. Scherzo. Pizzicato Ostinato.
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Compositor
Pyotr Ilyich Tchaikovsky
H
4th Mov. Allegro Con Fuoco
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Compositor
Pyotr Ilyich Tchaikovsky
I
4th Mov. Allegro Con Fuoco Concluded.
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Compositor
Pyotr Ilyich Tchaikovsky
J
Waltz - Tschkov. Op 48 - From String Serenade
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Créditos
Compositor
Pyotr Ilyich Tchaikovsky

Preços e histórico

Detalhes da edição

Selo (1): RCA Red Seal
DM 1318
Formato (1): 5x Vinil 10" Mono, 78 RPM, 10 polegadas, 12 polegadas

Notas

Auto-coupled release ("drop-automatic"). Recorded April 26, 1949 at Symphony Hall, Boston. Notes on SYMPHONY NO. 4: Koussevitzky's Carnegie Hall recordings made in November of 1947 were the last recordings that the BSO made utilizing the old 78 rpm technology exclusively. Their next commercial recording, this one of the Tchaikovsky Fourth Symphony, was Koussevitzky's first on modern magnetic tape. However, it was not the first tape recording in the orchestra's history. An old story relates that this honor went to the Boston Pops. No commercial recordings were made in the United States during 1948, because of a ban imposed by the A. F. of M.. lasting from January 1 to December 13 of that year. Victor received their first Ampex tape recorders, in May 1948 and wanted to try them out, but were limited in what they could record. The winter symphony seasons of all the orchestras were over, and there was a union ban on the making of commercial recordings. However, the Pops was in full swing, and Victor got the green light from the BSO and the Union to try out the new Ampexes at a Pops concert. This recording's only LP issuance (LM-1008) had to be assembled from the (roughly) four minute takes in which it had been recorded, in order to accommodate Victor's 45s and 78s. The break between sides 1 and 2 is a very tricky one. When Victor made up LM-1008, they were not able to handle it satisfactorily. It occurs during a forte passage, and the hall resonance from the end of side one must be mixed with the beginning of the music on side two. Otherwise, there is a jolt in the music where the tape splice cuts off this resonance. This is what Victor did in LM-1008. It may have been for this reason that RCA never issued this recording again, after LM-1008 was withdrawn. Years ago the author tried overlapping this side break, utilizing three tape recorders and the 45s. However, he had no better luck with it than RCA Victor did, and ended up having to use LM-1008 in "The Koussevitzky Legacy" series, complete with this rough side joint. The solution to the problem did not appear until recently. It is to overlap the sides by starting the tape deck that is carrying the second side with an electronic signal that comes from the tape of side one. The timing of this overlap is so critical that it is beyond anything one can do manually. If this is done, the break between these sides can be completely masked. We should not blame Victor for the rough side break in LM-1008. This "electronic signal" technique is easy with modem tape decks which are microprocessor-controlled, but when LM-1008 was put together in 1950, extensive custom engineering would have been required. The fourth movement of this recording was included on a fund raiser CD that the BSO issued in 1989. Despite the very fine sonics of LM-1008, the new CD shows off this part of the performance as never before. It comes as good news that the original tapes of this, at 40 plus years of age, are holding up so well. Hats off to RCA for their archival preservation, and to the 3M Company, who I believe was the manufacturer of this tape. - Edward D. Young SERGE KOUSSEVITZKY: A COMPLETE DISCOGRAPHY, PART I

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Créditos e produção

3 funções · 3 créditos · 3 empresas · 3 relações

Créditos

Compositor: Pyotr Ilyich Tchaikovsky
Maestro: Serge Koussevitzky
Orchestra: Boston Symphony Orchestra

Empresas e locais

Prensado por: RCA Records Pressing Plant, Indianapolis
Gravado em: Symphony Hall, Boston
Gravadora: RCA Victor Division Of Radio Corporation Of America

Perguntas frequentes

Quem compôs as músicas de Symphony No. 4 In F Minor, Op. 36, de Tchaikovsky - Boston Symphony Orchestra, Serge Koussevitzky?

As composições de Symphony No. 4 In F Minor, Op. 36, de Tchaikovsky - Boston Symphony Orchestra, Serge Koussevitzky, são creditadas a Pyotr Ilyich Tchaikovsky.

Onde foi gravada a edição de 1949 de Symphony No. 4 In F Minor, Op. 36, de Tchaikovsky - Boston Symphony Orchestra, Serge Koussevitzky, que indica Estados Unidos como país ou mercado de lançamento?

A edição de 1949 de Symphony No. 4 In F Minor, Op. 36, de Tchaikovsky - Boston Symphony Orchestra, Serge Koussevitzky, que indica Estados Unidos como país ou mercado de lançamento, foi gravada em Symphony Hall, Boston.

Qual empresa prensou a edição de 1949 de Symphony No. 4 In F Minor, Op. 36, de Tchaikovsky - Boston Symphony Orchestra, Serge Koussevitzky, que indica Estados Unidos como país ou mercado de lançamento?

Quais empresas fonográficas estão associadas à edição de 1949 de Symphony No. 4 In F Minor, Op. 36, de Tchaikovsky - Boston Symphony Orchestra, Serge Koussevitzky, que indica Estados Unidos como país ou mercado de lançamento?

As empresas fonográficas associadas à edição de 1949 de Symphony No. 4 In F Minor, Op. 36, de Tchaikovsky - Boston Symphony Orchestra, Serge Koussevitzky, que indica Estados Unidos como país ou mercado de lançamento, são RCA Victor Division Of Radio Corporation Of America.

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Symphony No. 4 In F Minor, Op. 36

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Symphony No. 4 In F Minor, Op. 36

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