G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner
Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743
1x Vinil 12"Álbum de Estúdio
Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743
G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner
- Catálogo #
- ZRG 879
- Faixas
- 11
- Duração
- 56:11
Consultando ofertas atuais…
Notas
Label variant to Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743 (Different title, matrix presentation, 2 33 1/3 locations,...)
Preços e histórico
Lista de Faixas
Lado A · Highlights From The Messiah
- A1
No. 2 Comfort Ye (Tenor); No. 3 Ev'ry Valley (Tenor); No. 4 And The Glory Of The Lord (Chorus)
Créditos de No. 2 Comfort Ye (Tenor); No. 3 Ev'ry Valley (Tenor); No. 4 And The Glory Of The Lord (Chorus)
- Compositor
- A2
No. 8 Behold, A Virgin (Contralto); No. 9 O Thou That Tellest (Contralto And Chorus)
Créditos de No. 8 Behold, A Virgin (Contralto); No. 9 O Thou That Tellest (Contralto And Chorus)
- Compositor
- A3
No. 12 For Unto Us A Child Is Born (Chorus)
Créditos de No. 12 For Unto Us A Child Is Born (Chorus)
- Compositor
- A4
No. 16 And Suddenly There Was With The Angel (Soprano); No. 17 Glory To God (Chorus)
Créditos de No. 16 And Suddenly There Was With The Angel (Soprano); No. 17 Glory To God (Chorus)
- Compositor
- A5
No. 18 Rejoice Greatly (Soprano)
Créditos de No. 18 Rejoice Greatly (Soprano)
- Compositor
Lado B
- B1
No. 22 Behold The Lamb Of God (Chorus); No. 23 He Was Despised (Contralto)
Créditos de No. 22 Behold The Lamb Of God (Chorus); No. 23 He Was Despised (Contralto)
- Compositor
- B2
No. 26 All We Like Sheep (Chorus)
Créditos de No. 26 All We Like Sheep (Chorus)
- Compositor
- B3
No. 44 Hallelujah! (Chorus)
Créditos de No. 44 Hallelujah! (Chorus)
- Compositor
- B4
No. 45 I Know That My Redeemer Liveth (Soprano)
Créditos de No. 45 I Know That My Redeemer Liveth (Soprano)
- Compositor
- B5
No. 48 The Trumpet Shall Sound (Bass)
Créditos de No. 48 The Trumpet Shall Sound (Bass)
- Compositor
- B6
No. 53 WorthY Is The Lamb (Chorus); Amen (Chorus)
Créditos de No. 53 WorthY Is The Lamb (Chorus); Amen (Chorus)
- Compositor
Perguntas sobre os créditos
- Quem produziu Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner?
- Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, foi produzido por Chris Hazell.
- Quem trabalhou como engenheiro em Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner?
- A engenharia de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, foi realizada por Simon Eadon e Stanley Goodall.
- Quem compôs as músicas de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner?
- As composições de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, são creditadas a Georg Friedrich Händel.
Perguntas sobre empresas e locais
- Onde foi gravada esta edição de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento?
- Esta edição de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento, foi gravada em St. John's, Smith Square.
- Qual empresa prensou esta edição de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento?
- Esta edição de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento, foi prensada por Decca Record Co. Ltd., Pressing Plant, UK..
- Onde foi masterizada esta edição de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento?
- Esta edição de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento, foi masterizada em Decca Studios.
- Quem detém os direitos fonográficos desta edição de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento?
- Os direitos fonográficos desta edição de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento, pertencem a The Decca Record Company Limited.
- Quem detém os direitos autorais desta edição de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento?
- Os direitos autorais desta edição de Messiah Arias And Choruses Based On The First London Performance Of March 23rd 1743, de G.F. Handel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy And Chorus Of St Martin In The Fields, Neville Marriner, que indica Reino Unido como país ou mercado de lançamento, pertencem a The Decca Record Company Limited.
Créditos e produção
Créditos
16 funções · 17 créditos- Compositor
- Órgão
- Violoncelo
- Trompete
- Produtor
- Engenheiro de Som
- Maestro
- Bass Vocals
- Chorus Master
- Contralto Vocals
- Harpsichord
- Lacquer Cut By
- Leader
- Soprano Vocals
- Tenor Vocals
Empresas e locais
5 empresas · 6 relações- Impresso por
- Direitos autorais (c)
- Gravado em
- Copyright fonográfico (p)
- Prensado por
- Masterizado em
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